Richard Condon: Difference between revisions

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Revision as of 22:35, 5 August 2008

Richard Thomas Condon (born New York, New York, March 18, 1915, died Dallas, Texas, April 9, 1996), was a prolific American novelist who occasionally achieved bestseller status and who is primarily remembered today for two works, an early book, The Manchurian Candidate, and four much later novels about a New York gangster named Prizzi. For many years a Hollywood publicity man for the Walt Disney and other studios, he took up writing relatively late in life and his first novel, The Oldest Confession, was published when he was 43. His next book, The Manchurian Candidate, which combined all the elements that defined his works for the next 30 years, satire, black humor, outrage at political and financial corruption in the American scene, breath-taking elements from thrillers and spy fiction, and an obsession with the minutiae of food, drink, and fast living, quickly made him, for a few years at least, the center of a cult devoted to his works. As he wrote more and more books with the same central themes, however, his cult following fell away and his critical reputation diminished. But he continued to pull surprises from his literary hat, with books such as Mile High, Winter Kills, and the first of the Prizzi books, Prizzi's Honor, that returned him to favor, both with the critics and the book-buying public. And many of his books were turned into Hollywood movies, The Manchurian Candidate being filmed in two different versions, the first one, from 1962, now being generally recognized as one of the greatest movies of all time.

Condon's works are difficult to categorize; they combined many different elements but were, above all, written to entertain the general public. Condon had a genuine disdain, outrage, and even hatred for many of the mainstream political corruptions that he found so prevalent in American life, but he attacked them with a wholly original style and wit that made almost any Condon paragraph from any of his books instantly recognizable. Reviewing one of his works in the International Herald Tribune, the well-known playwright George Axelrod (The Seven-Year Itch, Will Success Spoil Rock Hunter), who had collaborated with Condon on the screenplay for the film adaptation of The Manchurian Candidate, wrote:

"The arrival of a new novel by Richard Condon is like an invitation to a party.... the sheer gusto of the prose, the madness of his similies, the lunacy of his metaphors, his infectious, almost child-like joy in composing complex sentences that go bang at the end in the manner of exploding cigars is both exhilarating and as exhausting as any good party ought to be."