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'''Bartitsu''' is an eclectic [[martial art]] and [[self defence]] method originally developed in [[England]] during the late 19th and early 20th centuries.
'''Bartitsu''' is an eclectic [[martial art]] and [[self defence]] method originally developed in [[England]] during the late 19th and early 20th centuries.
[[Image:Copy of Montage.jpg|thumb|right|A montage of Bartitsu self defence techniques.]]


== History ==
== History ==


In 1898, [[Edward William Barton-Wright]], a [[British people|British]] [[engineer]] who had been building [[railway]]s in [[Japan]], returned to England and announced the formation of a "New Art of Self Defence".<ref>Wolf, Tony and Marwood, James. (2007) "The Origins of Bartitsu."[http://www.bartitsu.org/index.php/the-origins-of-bartitsu/]</ref> This art, he claimed, combined the best elements of a range of fighting styles into a unified whole, which he had named Bartitsu. The word was a [[portmanteau]] of his own surname and of "Ju jitsu".<ref name="wolf">Wolf, Tony (ed.) ''The Bartitsu Compendium.'' Lulu Publications, 2005.</ref>
In 1898, [[Edward William Barton-Wright]], a [[Briton|British]] [[engineer]] who had been building [[railway]]s in [[Japan]], returned to England and announced the formation of a "New Art of Self Defence".<ref>Wolf, Tony and Marwood, James. (2007) "The Origins of Bartitsu."[http://www.bartitsu.org/origins.html]</ref> This art, he claimed, combined the best elements of a range of fighting styles into a unified whole, which he had named Bartitsu. The word was a [[portmanteau]] of his own surname and of "jiujitsu".<ref name="wolf">Wolf, Tony (ed.) ''The Bartitsu Compendium.'' Lulu Publications, 2005.</ref>


As detailed in a series of articles Barton-Wright produced for ''Pearson's Magazine'' between 1899 and 1901, Bartitsu was largely drawn from the [[Shinden Fudo Ryu|Shinden Fudo]], [[Tenjin Shinyo-ryu|Tenjin-Shinyo]], [[Fusen Ryu|Fusen]] and Daito Ryu schools of [[Koryu|''koryu'']] ("classical") [[jujutsu]] and from [[Kodokan]] [[judo]].  As it became established in London, the art expanded to incorporate combat techniques from British [[boxing]], Swiss [[schwingen]], French [[savate]], and a defensive [[la canne]] ([[stick fighting]]) style that had been developed by Professeur [[Pierre Vigny]] of [[Switzerland]] as well as a comprehensive [[physical culture]] training system.
As detailed in a series of articles Barton-Wright produced for ''Pearson's Magazine'' between 1899 and 1904, Bartitsu was largely drawn from the [[Shinden Fudo Ryu|Shinden Fudo]], [[Tenjin Shinyo-ryu|Tenjin-Shinyo]], [[Fusen Ryu|Fusen]] and Daito Ryu schools of [[Koryu|''koryu'']] ("classical") [[jujutsu]] and from [[Kodokan]] [[judo]].  The art also incorporated combat techniques from British [[boxing]], Swiss [[schwingen]], French [[savate]], and a defensive [[stick fighting]] style that had been developed by Professeur [[Pierre Vigny]] of [[Switzerland]].


In 1902, Barton-Wright wrote:<ref>Barton-Wright, E.W. "Ju-jitsu and judo." ''Transactions of the Japan Society,'' 1902, v. 5, p. 261.</ref>
In 1902, Barton-Wright wrote:<ref>Barton-Wright, E.W. "Ju-jitsu and judo." ''Transactions of the Japan Society,'' 1902, v. 5, p. 261.</ref>
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:Judo and jujitsu were not designed as primary means of attack and defence against a boxer or a man who kicks you, but were only to be used after coming to close quarters, and in order to get to close quarters it was absolutely necessary to understand boxing and the use of the foot.}}
:Judo and jujitsu were not designed as primary means of attack and defence against a boxer or a man who kicks you, but were only to be used after coming to close quarters, and in order to get to close quarters it was absolutely necessary to understand boxing and the use of the foot.}}


== Bartitsu Club ==
== The golden years of Bartitsu ==
Between 1899 and 1902, Barton-Wright set about publicising his art through magazine articles, interviews and a series of demonstrations or "assaults at arms" at various [[London]] venues. He established a school called the Bartitsu Academy of Arms and Physical Culture, also known as the Bartitsu Club, which was located at #67b [[Shaftesbury Avenue]] in [[Soho]]. In an article for ''Sandow's Magazine'' published in [[1902]], journalist Mary Nugent described the Bartitsu Club as "... a huge subterranean hall, all glittering, white-tiled walls, and electric light, with 'champions' prowling around it like tigers."<ref>Wolf, Tony and Marwood, James. (2006) "The Bartitsu Club."[http://www.bartitsu.org/index.php/the-bartitsu-club-1899-1902/]</ref>
Between 1899 and 1903, Barton-Wright set about publicising his art through magazine articles, interviews and a series of demonstrations or "assaults at arms" at various [[London, United Kingdom|London]] venues. He established a school called the Bartitsu Academy of Arms and Phyical Culture, also known as the Bartitsu Club, which was located at #67b [[Shaftesbury Avenue]] in [[Soho]]. In an article for ''Sandow's Magazine'' published in [[1902]], journalist Mary Nugent described the Bartitsu Club as "... a huge subterranean hall, all glittering, white-tiled walls, and electric light, with 'champions' prowling around it like tigers."<ref>Wolf, Tony and Marwood, James. (2006) "The Bartitsu Club."[http://www.bartitsu.org/club.html]</ref>


Via correspondence with Professor [[Jigoro Kano]], the founder of Kodokan Judo, and other contacts in Japan,  Barton-Wright arranged for Japanese jujutsu practitioners K. Tani, S. Yamamoto and [[Yukio Tani]] to travel to London and serve as instructors at the Bartitsu Club.  K. Tani and Yamamoto soon returned to Japan, but Yukio Tani stayed and was shortly joined by another jujutsuka, [[Sadakazu Uyenishi]].  Swiss master-at-arms [[Pierre Vigny]] and wrestler Armand Cherpillod were also employed as teachers at the Club.  As well as teaching well-to-do Londoners, their duties included performing demonstrations and competing in challenge matches against fighters representing other combat styles.<ref>Anonymous. "The Bartitsu Tournament," ''Sandow's Magazine'', January 1902, v. 43:18, pp. 28-31. [http://ejmas.com/jmanly/articles/2001/jmanlyart_sandows_0301.htm]</ref> In addition, the Club became the headquarters for a group of [[fencing]] [[antiquarians]] led by [[Egerton Castle]] and Captain [[Alfred Hutton]] and it served as their base for experimenting with [[historical fencing]] techniques, which they taught to members of London's acting elite for use in [[stage combat]].<ref name="wolf">Wolf, Tony (ed.) ''The Bartitsu Compendium.'' Lulu Publications, 2005.</ref>
Via correspondence with Professor [[Jigoro Kano]], the founder of Kodokan Judo, and other contacts in Japan,  Barton-Wright arranged for Japanese jujutsu practitioners [[Yukio Tani]] and Sadakazu Uyenishi to travel to London and serve as instructors at the Bartitsu Club.  Swiss master-at-arms [[Pierre Vigny]] and wrestler Armand Cherpillod were also employed as teachers at the Club.  As well as teaching well-to-do Londoners, their duties included performing demonstrations and competing in challenge matches against fighters representing other combat styles.<ref>Anonymous. "The Bartitsu Tournament," ''Sandow's Magazine'', January 1902, v. 43:18, pp. 28-31. [http://ejmas.com/jmanly/articles/2001/jmanlyart_sandows_0301.htm]</ref> In addition, the Club became the headquarters for a group of [[fencing]] [[antiquarians]] led by [[Egerton Castle]] and Captain [[Alfred Hutton]], and it served as their base for experimenting with [[historical fencing]] techniques, which they taught to members of London's acting elite for use in [[stage combat]].<ref name="wolf">Wolf, Tony (ed.) ''The Bartitsu Compendium.'' Lulu Publications, 2005.</ref>


Bartitsu Club membership included [[Cosmo Duff Gordon|Sir Cosmo Duff Gordon]], who was later to achieve notoriety as one of the few adult male survivors of the sinking of the [[RMS Titanic]], as well as Captain F.C. Laing of the 12th Bengal Infantry, who subsequently wrote an article on Bartitsu stick fighting techniques which was published in the ''Journal of the United Service Institution of India''.<ref>Laing, F.C. "The 'Bartitsu' Method of Self-Defence."[http://lacannevigny.wordpress.com/a-pierre-vigny/the-bartitsu-method-of-self-defence]</ref>
Bartitsu Club membership included [[Cosmo Duff Gordon|Sir Cosmo Duff Gordon]], who was later to achieve notoriety as one of the few adult male survivors of the sinking of the [[RMS Titanic]], as well as Captain F.C. Laing of the 12th Bengal Infantry, who subsequently wrote an article on Bartitsu stick fighting techniques which was published in the ''Journal of the United Service Institution of India''.<ref>Laing, F.C. "The 'Bartitsu' Method of Self-Defence."[http://lacannevigny.wordpress.com/a-pierre-vigny/the-bartitsu-method-of-self-defence]</ref>
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It is unclear whether Barton-Wright ever devised a formal [[curriculum]] for Bartitsu as a self defence method.  He encouraged members of the Bartitsu Club to study each of the four major hand-to-hand combat styles taught at the Club, with the goal of mastering each style well enough that they could be used against the others if needed. This process was similar to the modern concept of [[cross-training]].
It is unclear whether Barton-Wright ever devised a formal [[curriculum]] for Bartitsu as a self defence method.  He encouraged members of the Bartitsu Club to study each of the four major hand-to-hand combat styles taught at the Club, with the goal of mastering each style well enough that they could be used against the others if needed. This process was similar to the modern concept of [[cross-training]].


Based on Barton-Wright's writings upon this subject, contemporary researchers believe that Bartitsu placed greatest emphasis upon the Vigny cane fighting system at the striking range and upon jujutsu (and, secondarily, the "all-in" style of European wrestling) at the grappling range.  Savate and boxing methods were used to [[segue]] between these two ranges, or as a means of first response should the defender not be armed with a walking stick; these sports were also probably practiced so that Bartitsu students could learn how to defend against them through the use of jujutsu and Vigny stick fighting. Barton-Wright also modified the techniques of both boxing and savate for self defence purposes, as distinct from academic and fitness training or sporting competition. <ref name="wolf">Wolf, Tony (ed.) ''The Bartitsu Compendium.'' Lulu Publications, 2005.</ref>
Based on Barton-Wright's writings upon this subject, contemporary researchers believe that Bartitsu placed greatest emphasis upon the Vigny cane fighting system at the striking range and upon jujutsu (and, secondarily, the "all-in" style of European wrestling) at the grappling range.  Savate and boxing methods were used to [[segue]] between these two ranges, or as a means of first response should the defender not be armed with a walking stick. Barton-Wright also modified the techniques of both boxing and savate for self defence purposes, as distinct from academic training and sporting competition. <ref name="wolf">Wolf, Tony (ed.) ''The Bartitsu Compendium.'' Lulu Publications, 2005.</ref>


According to interviewer Mary Nugent, Barton-Wright instituted an unusual pedagogical system whereby students were first required to attend private training sessions before being allowed to join class groups.<ref name="nugent">Nugent, Mary. "Barton-Wright and his Japanese Wrestlers," ''Health and Strength'', December 1901, v. 3:6, pp. 336-341.</ref> It is currently believed that both private and group classes included pre-arranged exercises, especially for use in rehearsing those techniques that were too dangerous to be performed at full speed or contact, as well as free-sparring and fencing bouts.<ref name="wolf">Wolf, Tony (ed.) ''The Bartitsu Compendium.'' Lulu Publications, 2005.</ref>
According to interviewer Mary Nugent, Barton-Wright instituted an unusual pedagogical system whereby students were first required to attend private training sessions before being allowed to join class groups.<ref name="nugent">Nugent, Mary. "Barton-Wright and his Japanese Wrestlers," ''Health and Strength'', December 1901, v. 3:6, pp. 336-341.</ref> It is currently believed that both private and group classes included pre-arranged exercises, especially for use in rehearsing those techniques that were too dangerous to be performed at full speed or contact, as well as free-sparring and fencing bouts.<ref name="wolf">Wolf, Tony (ed.) ''The Bartitsu Compendium.'' Lulu Publications, 2005.</ref>
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Despite his enthusiasm, Barton-Wright seems to have been a mediocre promoter and the fame of his associates and their jujutsu quickly eclipsed that of Bartitsu. By 1903, the Bartitsu Club had closed its doors for the last time; subsequent speculation had it that both the enrollment fee and the tuition fees had been too high.  
Despite his enthusiasm, Barton-Wright seems to have been a mediocre promoter and the fame of his associates and their jujutsu quickly eclipsed that of Bartitsu. By 1903, the Bartitsu Club had closed its doors for the last time; subsequent speculation had it that both the enrollment fee and the tuition fees had been too high.  


Most of Barton-Wright's assistants, including jujutsuka Yukio Tani and Sadakazu Uyenishi and Swiss self defence expert Pierre Vigny, established their own self defence and combat sports gymnasiums in London. After breaking with Barton-Wright, purportedly due to an argument and a fight, Tani also continued his work as a professional [[music-hall]] wrestler under the shrewd management of William Bankier, a strength performer and magazine publisher who went by the stage name of "Apollo".  Bankier's promotional efforts helped to spur an international [[fad]] for jujutsu, which included the publication of numerous books and magazine articles as well as the establishment of jujutsu schools throughout the Western world.  This fad lasted until the beginning of the [[First World War]] and served to introduce jujutsu into Western [[popular culture]].<ref name="koizumi">Koizumi, Gunji. "Facts and History," ''Budokwai Quarterly Bulletin'', July 1950, pp. 17-19.</ref>
Most of Barton-Wright's assistants, including jujutsuka Yukio Tani and Sadekazu Uyenishi and Swiss self defence expert Pierre Vigny, established their own self defence and combat sports gymnasia in London. After breaking with Barton-Wright, purportedly due to an argument and a fight, Tani also continued his work as a professional [[music-hall]] wrestler under the shrewd management of William Bankier, a strength performer and magazine publisher who went by the stage name of "Apollo".<ref name="koizumi2">Koizumi, Gunji. "Facts and History," ''Budokwai Quarterly Bulletin'', July 1950, pp. 17-19.</ref>
 
Although Barton-Wright was rumoured to have continued to develop and teach his martial art at least until the 1920s, it never again returned to prominence.
 
== "Baritsu" ==
Bartitsu might have been completely forgotten if not for a chance mention by [[Sir Arthur Conan Doyle]] in one of his [[Sherlock Holmes]] mystery stories. By the 1890s, Doyle had become weary of chronicling the adventures of Sherlock Holmes. He had actually killed Holmes off in his 1893 story, [[the Adventure of the Final Problem]], in which Holmes apparently plunged to his death over a waterfall during a struggle with his arch-enemy, [[Professor Moriarty]].
 
However, such was the public clamour for the fictional detective’s return that Doyle capitulated and revived Holmes for another story, the [[Adventure of the Empty House]], in 1901. As Holmes himself explained his apparently miraculous survival:
 
{{cquote|
:When I reached the end I stood at bay. He drew no weapon, but he rushed at me and threw his long arms around me. He knew that his own game was up, and was only anxious to revenge himself upon me. We tottered together upon the brink of the fall. I have some knowledge, however, of baritsu, or the Japanese system of wrestling, which has more than once been very useful to me. I slipped through his grip, and he with a horrible scream kicked madly for a few seconds and clawed the air with both his hands. But for all his efforts he could not get his balance, and over he went. With my face over the brink I saw him fall for a long way. Then he struck a rock, bounced off, and splashed into the water.}}
 
In fact, "baritsu" did not exist outside the pages of the English editions of the Adventure of the Empty House. It is uncertain why Doyle had Holmes refer to baritsu, rather than Bartitsu. It is possible that Doyle, who, like E.W. Barton-Wright, was writing for Pearson’s Magazine during the late 1890s, was vaguely aware of Bartitsu and simply mis-remembered or misheard the term; it may even have been a typographical error or a concern about [[copyright]]. It should also be noted that a newspaper report on a Bartitsu demonstration in London, published in 1900, had likewise misspelled the name as baritsu.


In any case, "baritsu" was considered to be too esoteric by Doyle’s American editors, who further added to the confusion by substituting the word "jiujitsu" in the American editions of the story.
Although Barton-Wright may have continued to develop and teach his martial art at least until the 1920s, it never again returned to prominence. Bartitsu might have been completely forgotten if not for a chance mention by [[Sir Arthur Conan Doyle]] in one of his [[Sherlock Holmes]] mystery stories. In [[The Adventure of the Empty House| "The Adventure of the Empty House"]] (1903), Holmes explained that he had escaped the clutches of his enemy [[Professor Moriarty]] through his knowledge of "[[baritsu]], or Japanese wrestling". Doyle mis-spelled the name of the art; this error, in addition to the [[anachronism]] of portraying Bartitsu in a story set several years before the art had actually been invented, was enough to intrigue and confuse Holmesian scholars for most of the next century.<ref>Bowen, Richard. "Further Lessons in Baritsu," ''The Ritual: Review of the Northern Musgraves Sherlock Holmes Society'', 1997, v. 20, pp. 22-26.</ref>


This confusion of names persisted through much of the 20th century, with Holmes enthusiasts puzzling over the identity of baritsu and mistakenly identifying it as [[bujutsu]], [[sumo]] and [[judo]]. It was not until the 1990s that scholars including Y. Hirayama, J. Hall, Richard Bowen and James Webb were able to positively identify the martial art of Sherlock Holmes.
E.W. Barton-Wright spent the rest of his career working as a physical therapist specialising in innovative (and sometimes controversial) forms of heat, light, and radiation therapy.<ref name="wolf">Wolf, Tony (ed.) ''The Bartitsu Compendium.'' Lulu Publications, 2005.</ref> In 1950, Barton-Wright was interviewed for an article appearing in the [[Budokwai]] newsletter, and later that year he was presented to the audience at a Budokwai gathering in London.  He died in 1951, at the age of 90, and was buried in what the late martial arts historian Richard Bowen
 
described as being "a pauper's grave."<ref>Noble, Graham. "The Master of Bartitsu," ''Journal of Asian Martial Arts,'' 1999, v. 8:2, pp. 50-61.[http://ejmas.com/jmanly/articles/2001/jmanlyart_noble_0301.htm]</ref>
Meanwhile, baritsu developed a life of its own during the latter 20th century, and it was duly recorded that fictional heroes including [[Doc Savage]] and [[the Shadow]] had been initiated into its mysteries; the latter two characters were established as knowing Baritsu in a [[DC Comics]] crossover that spilled over into ''The Shadow Strikes''. Baritsu was also incorporated into the rules of several role-playing games set during the Victorian and Edwardian eras.<ref>Bowen, Richard. "Further Lessons in Baritsu," ''The Ritual: Review of the Northern Musgraves Sherlock Holmes Society'', 1997, v. 20, pp. 22-26.</ref>
 
== Later life ==
E.W. Barton-Wright spent the remainder of his career working as a physical therapist specialising in innovative (and sometimes controversial) forms of heat, light, and radiation [[therapy]]. He continued  to use the name "Bartitsu" with reference to his various therapeutic businesses.<ref name="wolf">Wolf, Tony (ed.) ''The Bartitsu Compendium.'' Lulu Publications, 2005.</ref> In 1950, Barton-Wright was interviewed for an article appearing in the [[Budokwai]] newsletter, and later that year he was presented to the audience at a [[Budokwai]] gathering in London.  He died in 1951, at the age of 90, and was buried in what the late martial arts historian Richard Bowen described as being "a pauper's grave."<ref>Noble, Graham. "The Master of Bartitsu," ''Journal of Asian Martial Arts,'' 1999, v. 8:2, pp. 50-61.[http://ejmas.com/jmanly/articles/2001/jmanlyart_noble_0301.htm]</ref>


== The Bartitsu legacy ==
== The Bartitsu legacy ==
In many ways, E.W. Barton-Wright was a man ahead of his time.  He was among the first Europeans known to have studied the [[Japanese martial arts]], and was almost certainly the first to have taught them in Europe, the [[Commonwealth of Nations]] or the Americas.
In many ways, E.W. Barton-Wright was a man ahead of his time.  He was among the first Europeans known to have studied the [[Japanese martial arts]], and was almost certainly the first to have taught them in Europe, the [[Commonwealth of Nations]] or the Americas.


Bartitsu was the first martial art to have deliberately combined Asian and European fighting styles towards addressing the problems of civilian/urban [[self-defense|self-defence]] in an "unarmed society".  In this, Barton-Wright anticipated [[Bruce Lee]]'s [[Jeet Kune Do]] approach by over seventy years. Barton-Wright's philosophy of [[Pragmatism (non-technical usage)|pragmatic]] [[eclecticism]] was taken up by other early 20th century European self-defence specialists, including Percy Longhurst, William Garrud and Jean Joseph-Renaud, all of whom had studied with former Bartitsu Club instructors.<ref name="wolf">Wolf, Tony (ed.) ''The Bartitsu Compendium.'' Lulu Publications, 2005.</ref>  
Bartitsu was probably the first martial art to have deliberately combined Asian and European fighting styles towards addressing the problems of civilian/urban [[self-defense|self-defence]] in an "unarmed society".  In this, Barton-Wright anticipated [[Bruce Lee]]'s [[Jeet Kune Do]] approach by over seventy years. Barton-Wright's philosophy of [[Pragmatism (non-technical usage)|pragmatic]] [[eclecticism]] was taken up by other early 20th century European self-defence specialists, including Percy Longhurst, George Dubois and Jean-Joseph Renaud, all of whom had studied with former Bartitsu Club instructors.<ref name="wolf">Wolf, Tony (ed.) ''The Bartitsu Compendium.'' Lulu Publications, 2005.</ref>  


A similar philosophy was later to be embraced by Bill Underwood, [[William E. Fairbairn]] and others charged with developing [[close combat]] systems for use by [[Allies of World War II|Allied]] troops during the [[Second World War]].  Underwood had actually studied jujutsu with Yukio Tani and another jujutsuka, [[Taro Miyake]], in London during the first decade of the 20th century. The systems founded by Underwood, Fairbairn, and their contemporaries became the basis for most [[military]] and [[police]] close-combat training throughout the Western world during the 20th century.
A similar philosophy was later to be embraced by Bill Underwood, [[William E. Fairbairn]] and others charged with developing [[close combat]] systems for use by [[Allies of World War II|Allied]] troops during the [[Second World War]].  Underwood had actually studied jujutsu with Yukio Tani and another jujutsuka, [[Taro Miyake]], in London during the first decade of the 20th century. The systems founded by Underwood, Fairbairn, and their contemporaries became the basis for most military and police close-combat training throughout the Western world during the 20th century.


E.W. Barton-Wright is also remembered as a pioneering promoter of [[mixed martial arts]] or MMA contests, in which experts in different fighting styles compete under common rules.  Barton-Wright's champions, including Yukio Tani, Sadakazu Uyenishi and Swiss ''[[schwingen]]'' wrestler Armand Cherpillod, enjoyed considerable success in these contests, which anticipated the MMA phenomenon of the 1990s by a hundred years.
E.W. Barton-Wright is also remembered as a pioneering promoter of [[mixed martial arts]] or MMA contests, in which experts in different fighting styles compete under common rules.  Barton-Wright's champions, including Yukio Tani and Swiss ''[[schwingen]]'' wrestler Armand Cherpillod, enjoyed considerable success in these contests, which anticipated the MMA phenomenon of the 1990s by a hundred years.


The Bartitsu Club was among the first schools of its type in Europe to offer specialised classes in women's self defence, a practice taken up after the Club's demise by students of Yukio Tani and Sadakazu Uyenishi including Edith Garrud and Emily Watts.  Mrs. Garrud established her own jiujitsu [[dojo]] (school) in London and also taught the art to members of the militant [[Suffragette]] movement, establishing an early association between self defence training and the political philosophy of [[feminism]].
The Bartitsu Club was the first school of its type in Europe to offer specialised classes in women's self defence, a practice taken up after the Club's demise by students of Yukio Tani and Sadekazu Uyenishi including Edith Garrud and Emily Watts.  Mrs. Garrud established her own jiujitsu dojo (school) in London and also taught the art to members of the militant [[Suffragette]] movement, establishing an early association between self defence training and the political philosophy of [[feminism]].


== Contemporary interest and revival==
== Contemporary interest in Bartitsu ==
In 2001, the ''Electronic Journals of Martial Arts and Sciences'' (EJMAS) web site[http://ejmas.com] began to re-publish many of Barton-Wright's magazine articles that had been discovered in the [[British Library]] archives by Richard Bowen.<ref>University of Bath Archives, Richard Bowen Collection.[http://www.bath.ac.uk/library/archives/bowen.htm]</ref>  Almost immediately, the "Self Defence with a Walking Stick" articles attracted a minor [[cult]] following and the illustrations were reproduced, often with humorous captions or other alterations, on a number of other sites.
In 2001, the ''Electronic Journals of Martial Arts and Sciences'' (EJMAS) web site[http://ejmas.com] began to re-publish many of Barton-Wright's magazine articles that had been uncovered by Richard Bowen.<ref>University of Bath Archives, Richard Bowen Collection.[http://www.bath.ac.uk/library/archives/bowen.htm]</ref>  Almost immediately, the "Self Defence with a Walking Stick" articles attracted a minor cult following and the illustrations were reproduced, often with humorous captions or other alterations, on a number of other sites.


In 2002, an international association of Bartitsu enthusiasts, known as the Bartitsu Society, was formed to research and then revive E.W. Barton-Wright's "New Art of Self Defence". The Bartitsu Society divides Bartitsu research into two related fields, those of [[canonical]] Bartitsu (the self-defense sequences that were detailed by Barton-Wright and his assistants between 1899-1902) and neo-Bartitsu (modern, individualised interpretations drawing especially from the training manuals produced by former Bartitsu Club instructors and their students between 1905 and the early 1920s).  Associated interests include social phenomena such as street [[gangsterism]] at the turn of the [[Twentieth Century]], the martial training of the militant Suffragette movement, and the study of the martial arts as [[Victorian era|Victorian]] and [[Edwardian]] [[social history]]. The Bartitsu Society communicates via an email group established by author [[Will Thomas]] and individual members occasionally offer practical seminars in Bartitsu fighting techniques.
In 2002, an international association of Bartitsu enthusiasts, known as the Bartitsu Society, was formed to research and then revive E.W. Barton-Wright's "New Art of Self Defence". The Bartitsu Society divides Bartitsu research into two related fields, those of [[canonical]] Bartitsu (the self-defense sequences that were detailed by Barton-Wright and his assistants between 1899-1902) and [[Neo-|neo]]-Bartitsu (modern, individualised interpretations drawing from, but not bound to, the original source material).  The Society communicates via an email group established by author [[Will Thomas]] and individual members occasionally offer practical workshops in Bartitsu fighting techniques.


In August 2005, the Society published a book, ''The Bartitsu Compendium'', which was edited by Tony Wolf.<ref name="wolf">Wolf, Tony (ed.) ''The Bartitsu Compendium.'' Lulu Publications, 2005.</ref> The ''Compendium'' details the complete history of the art as well as a technical curriculum for canonical Bartitsu. The second volume was published in August of 2008, comprising resources for neo-Bartitsu drawn both from Barton-Wright's own writings and from the corpus of self defence manuals produced by his colleagues and students.  Articles on various aspects of Bartitsu have been published in journals including "Classical Fighting Arts" and "Western Martial Arts Illustrated".
In August 2005, the Society published a book, ''The Bartitsu Compendium'', which was edited by Tony Wolf.<ref name="wolf">Wolf, Tony (ed.) ''The Bartitsu Compendium.'' Lulu Publications, 2005.</ref> The ''Compendium'' details the complete history of the art as well as a technical curriculum for canonical Bartitsu.


In September 2006, Bartitsu Society member Kirk Lawson released a [[DVD]] entitled ''Bartitsu - the Martial Art of Sherlock Holmes'', which is a presentation of Bartitsu techniques as demonstrated at the Spring '06 Cumann Bhata [[Western Martial Arts]] Seminar.  
In September 2006, Bartitsu Society member Kirk Lawson released a DVD presentation entitled ''Bartitsu - the Martial Art of Sherlock Holmes'', which is a presentation of Bartitsu techniques as demonstrated at the Spring '06 Cumann Bhata Western Martial Arts Seminar.  


In October 2006, the Bartitsu Society launched the [http://www.bartitsu.org/ Bartitsu.org] website, which includes information on the history, theory and practice of Barton-Wright's martial art.
In October 2006, the Bartitsu Society launched the [http://www.bartitsu.org/ Bartitsu.org] website, which includes information on the history, theory and practice of Barton-Wright's martial art.


In July 2008, Bartitsu Society member Kirk Lawson officially announced the first ongoing Bartitsu/Neo-Bartitsu training commitment at his club, Cumann Bhata Dayton.
Proceeds from the sales of the ''Bartitsu Compendium'' and the ''Martial Art of Sherlock Holmes'' DVD have been dedicated to creating a memorial for E.W. Barton-Wright.
 
In August 2008, the Bartitsu Society published ''The Bartitsu Compendium II'', also edited by Tony Wolf.<ref name="wolf">Wolf, Tony (ed.) ''The Bartitsu Compendium II.'' Lulu Publications, 2008.</ref>  The ''Compendium II'' is intended as a resource for the Bartitsu enthusiast or researcher for the study or development of "Neo-Bartitsu."  It includes texts and manuals from the various component arts, written by Edwardian-era instructors such as William Garrud, H.G. Lang, Jean Joseph-Renaud, and R.G. Allanson-Winn, and linked by a modern cross-training system.
 
Proceeds from the sales of the ''Bartitsu Compendium'', the ''Bartitsu Compendium II'', and the ''Martial Art of Sherlock Holmes'' DVD have been dedicated to creating a memorial for E.W. Barton-Wright.


==Online essays by Barton-Wright==
==Online essays by Barton-Wright==
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* "The New Art of Self-defence," ''Pearson's Magazine'', April 1899, v. 7, pp. 402-410.[http://ejmas.com/jmanly/articles/2002/jmanlyart_Barton-Wrightb_1202.htm]
* "The New Art of Self-defence," ''Pearson's Magazine'', April 1899, v. 7, pp. 402-410.[http://ejmas.com/jmanly/articles/2002/jmanlyart_Barton-Wrightb_1202.htm]
* "Self-defence with a Walking Stick," ''Pearson's Magazine'', February 1901, v. 11, pp. 130-139.[http://ejmas.com/jnc/jncart_barton-wright_0400.htm]
* "Self-defence with a Walking Stick," ''Pearson's Magazine'', February 1901, v. 11, pp. 130-139.[http://ejmas.com/jnc/jncart_barton-wright_0400.htm]
==Attribution==
{{WPAttribution}}
==Notes==
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[[Category:Martial art forms & functions]][[Category:Suggestion Bot Tag]]

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Bartitsu is an eclectic martial art and self defence method originally developed in England during the late 19th and early 20th centuries.

History

In 1898, Edward William Barton-Wright, a British engineer who had been building railways in Japan, returned to England and announced the formation of a "New Art of Self Defence".[1] This art, he claimed, combined the best elements of a range of fighting styles into a unified whole, which he had named Bartitsu. The word was a portmanteau of his own surname and of "jiujitsu".[2]

As detailed in a series of articles Barton-Wright produced for Pearson's Magazine between 1899 and 1904, Bartitsu was largely drawn from the Shinden Fudo, Tenjin-Shinyo, Fusen and Daito Ryu schools of koryu ("classical") jujutsu and from Kodokan judo. The art also incorporated combat techniques from British boxing, Swiss schwingen, French savate, and a defensive stick fighting style that had been developed by Professeur Pierre Vigny of Switzerland.

In 1902, Barton-Wright wrote:[3]

Under Bartitsu is included boxing, or the use of the fist as a hitting medium, the use of the feet both in an offensive and defensive sense, the use of the walking stick as a means of self-defence. Judo and jujitsu, which were secret styles of Japanese wrestling, he would call close play as applied to self-defence.
In order to ensure as far as it was possible immunity against injury in cowardly attacks or quarrels, they must understand boxing in order to thoroughly appreciate the danger and rapidity of a well-directed blow, and the particular parts of the body which were scientifically attacked. The same, of course, applied to the use of the foot or the stick.
Judo and jujitsu were not designed as primary means of attack and defence against a boxer or a man who kicks you, but were only to be used after coming to close quarters, and in order to get to close quarters it was absolutely necessary to understand boxing and the use of the foot.

The golden years of Bartitsu

Between 1899 and 1903, Barton-Wright set about publicising his art through magazine articles, interviews and a series of demonstrations or "assaults at arms" at various London venues. He established a school called the Bartitsu Academy of Arms and Phyical Culture, also known as the Bartitsu Club, which was located at #67b Shaftesbury Avenue in Soho. In an article for Sandow's Magazine published in 1902, journalist Mary Nugent described the Bartitsu Club as "... a huge subterranean hall, all glittering, white-tiled walls, and electric light, with 'champions' prowling around it like tigers."[4]

Via correspondence with Professor Jigoro Kano, the founder of Kodokan Judo, and other contacts in Japan, Barton-Wright arranged for Japanese jujutsu practitioners Yukio Tani and Sadakazu Uyenishi to travel to London and serve as instructors at the Bartitsu Club. Swiss master-at-arms Pierre Vigny and wrestler Armand Cherpillod were also employed as teachers at the Club. As well as teaching well-to-do Londoners, their duties included performing demonstrations and competing in challenge matches against fighters representing other combat styles.[5] In addition, the Club became the headquarters for a group of fencing antiquarians led by Egerton Castle and Captain Alfred Hutton, and it served as their base for experimenting with historical fencing techniques, which they taught to members of London's acting elite for use in stage combat.[2]

Bartitsu Club membership included Sir Cosmo Duff Gordon, who was later to achieve notoriety as one of the few adult male survivors of the sinking of the RMS Titanic, as well as Captain F.C. Laing of the 12th Bengal Infantry, who subsequently wrote an article on Bartitsu stick fighting techniques which was published in the Journal of the United Service Institution of India.[6]

Barton-Wright later reported that, during this period, he had challenged and defeated seven larger men within three minutes as part of a Bartitsu demonstration he gave at St. James's Hall. He said this feat earned him a membership in the prestigious Bath Club and also a Royal Command to appear before Edward, Prince of Wales.[7] Unfortunately, Barton-Wright then suffered an injury to his hand, due either to a fight in a Kentish country lane or a bicycling accident, which prevented him from appearing before the Prince.[8]

Bartitsu as a self defence method

It is unclear whether Barton-Wright ever devised a formal curriculum for Bartitsu as a self defence method. He encouraged members of the Bartitsu Club to study each of the four major hand-to-hand combat styles taught at the Club, with the goal of mastering each style well enough that they could be used against the others if needed. This process was similar to the modern concept of cross-training.

Based on Barton-Wright's writings upon this subject, contemporary researchers believe that Bartitsu placed greatest emphasis upon the Vigny cane fighting system at the striking range and upon jujutsu (and, secondarily, the "all-in" style of European wrestling) at the grappling range. Savate and boxing methods were used to segue between these two ranges, or as a means of first response should the defender not be armed with a walking stick. Barton-Wright also modified the techniques of both boxing and savate for self defence purposes, as distinct from academic training and sporting competition. [2]

According to interviewer Mary Nugent, Barton-Wright instituted an unusual pedagogical system whereby students were first required to attend private training sessions before being allowed to join class groups.[8] It is currently believed that both private and group classes included pre-arranged exercises, especially for use in rehearsing those techniques that were too dangerous to be performed at full speed or contact, as well as free-sparring and fencing bouts.[2]

Many Bartitsu self defence techniques and sequences were recorded by Barton-Wright himself in his series of articles for Pearson's Magazine. The specific details of other Bartitsu stick fighting training drills were recorded in Captain Laing's article.

The decline of Bartitsu

Despite his enthusiasm, Barton-Wright seems to have been a mediocre promoter and the fame of his associates and their jujutsu quickly eclipsed that of Bartitsu. By 1903, the Bartitsu Club had closed its doors for the last time; subsequent speculation had it that both the enrollment fee and the tuition fees had been too high.

Most of Barton-Wright's assistants, including jujutsuka Yukio Tani and Sadekazu Uyenishi and Swiss self defence expert Pierre Vigny, established their own self defence and combat sports gymnasia in London. After breaking with Barton-Wright, purportedly due to an argument and a fight, Tani also continued his work as a professional music-hall wrestler under the shrewd management of William Bankier, a strength performer and magazine publisher who went by the stage name of "Apollo".[9]

Although Barton-Wright may have continued to develop and teach his martial art at least until the 1920s, it never again returned to prominence. Bartitsu might have been completely forgotten if not for a chance mention by Sir Arthur Conan Doyle in one of his Sherlock Holmes mystery stories. In "The Adventure of the Empty House" (1903), Holmes explained that he had escaped the clutches of his enemy Professor Moriarty through his knowledge of "baritsu, or Japanese wrestling". Doyle mis-spelled the name of the art; this error, in addition to the anachronism of portraying Bartitsu in a story set several years before the art had actually been invented, was enough to intrigue and confuse Holmesian scholars for most of the next century.[10]

E.W. Barton-Wright spent the rest of his career working as a physical therapist specialising in innovative (and sometimes controversial) forms of heat, light, and radiation therapy.[2] In 1950, Barton-Wright was interviewed for an article appearing in the Budokwai newsletter, and later that year he was presented to the audience at a Budokwai gathering in London. He died in 1951, at the age of 90, and was buried in what the late martial arts historian Richard Bowen described as being "a pauper's grave."[11]

The Bartitsu legacy

In many ways, E.W. Barton-Wright was a man ahead of his time. He was among the first Europeans known to have studied the Japanese martial arts, and was almost certainly the first to have taught them in Europe, the Commonwealth of Nations or the Americas.

Bartitsu was probably the first martial art to have deliberately combined Asian and European fighting styles towards addressing the problems of civilian/urban self-defence in an "unarmed society". In this, Barton-Wright anticipated Bruce Lee's Jeet Kune Do approach by over seventy years. Barton-Wright's philosophy of pragmatic eclecticism was taken up by other early 20th century European self-defence specialists, including Percy Longhurst, George Dubois and Jean-Joseph Renaud, all of whom had studied with former Bartitsu Club instructors.[2]

A similar philosophy was later to be embraced by Bill Underwood, William E. Fairbairn and others charged with developing close combat systems for use by Allied troops during the Second World War. Underwood had actually studied jujutsu with Yukio Tani and another jujutsuka, Taro Miyake, in London during the first decade of the 20th century. The systems founded by Underwood, Fairbairn, and their contemporaries became the basis for most military and police close-combat training throughout the Western world during the 20th century.

E.W. Barton-Wright is also remembered as a pioneering promoter of mixed martial arts or MMA contests, in which experts in different fighting styles compete under common rules. Barton-Wright's champions, including Yukio Tani and Swiss schwingen wrestler Armand Cherpillod, enjoyed considerable success in these contests, which anticipated the MMA phenomenon of the 1990s by a hundred years.

The Bartitsu Club was the first school of its type in Europe to offer specialised classes in women's self defence, a practice taken up after the Club's demise by students of Yukio Tani and Sadekazu Uyenishi including Edith Garrud and Emily Watts. Mrs. Garrud established her own jiujitsu dojo (school) in London and also taught the art to members of the militant Suffragette movement, establishing an early association between self defence training and the political philosophy of feminism.

Contemporary interest in Bartitsu

In 2001, the Electronic Journals of Martial Arts and Sciences (EJMAS) web site[7] began to re-publish many of Barton-Wright's magazine articles that had been uncovered by Richard Bowen.[12] Almost immediately, the "Self Defence with a Walking Stick" articles attracted a minor cult following and the illustrations were reproduced, often with humorous captions or other alterations, on a number of other sites.

In 2002, an international association of Bartitsu enthusiasts, known as the Bartitsu Society, was formed to research and then revive E.W. Barton-Wright's "New Art of Self Defence". The Bartitsu Society divides Bartitsu research into two related fields, those of canonical Bartitsu (the self-defense sequences that were detailed by Barton-Wright and his assistants between 1899-1902) and neo-Bartitsu (modern, individualised interpretations drawing from, but not bound to, the original source material). The Society communicates via an email group established by author Will Thomas and individual members occasionally offer practical workshops in Bartitsu fighting techniques.

In August 2005, the Society published a book, The Bartitsu Compendium, which was edited by Tony Wolf.[2] The Compendium details the complete history of the art as well as a technical curriculum for canonical Bartitsu.

In September 2006, Bartitsu Society member Kirk Lawson released a DVD presentation entitled Bartitsu - the Martial Art of Sherlock Holmes, which is a presentation of Bartitsu techniques as demonstrated at the Spring '06 Cumann Bhata Western Martial Arts Seminar.

In October 2006, the Bartitsu Society launched the Bartitsu.org website, which includes information on the history, theory and practice of Barton-Wright's martial art.

Proceeds from the sales of the Bartitsu Compendium and the Martial Art of Sherlock Holmes DVD have been dedicated to creating a memorial for E.W. Barton-Wright.

Online essays by Barton-Wright

  • "The New Art of Self-defence: How a Man May Defend Himself against Every Form of Attack," Pearson's Magazine, March 1899, v. 7, pp. 268-275.[8]
  • "The New Art of Self-defence," Pearson's Magazine, April 1899, v. 7, pp. 402-410.[9]
  • "Self-defence with a Walking Stick," Pearson's Magazine, February 1901, v. 11, pp. 130-139.[10]

Attribution

Some content on this page may previously have appeared on Wikipedia.

Notes

  1. Wolf, Tony and Marwood, James. (2007) "The Origins of Bartitsu."[1]
  2. 2.0 2.1 2.2 2.3 2.4 2.5 2.6 Wolf, Tony (ed.) The Bartitsu Compendium. Lulu Publications, 2005.
  3. Barton-Wright, E.W. "Ju-jitsu and judo." Transactions of the Japan Society, 1902, v. 5, p. 261.
  4. Wolf, Tony and Marwood, James. (2006) "The Bartitsu Club."[2]
  5. Anonymous. "The Bartitsu Tournament," Sandow's Magazine, January 1902, v. 43:18, pp. 28-31. [3]
  6. Laing, F.C. "The 'Bartitsu' Method of Self-Defence."[4]
  7. Koizumi, Gunji. "Facts and History," Budokwai Quarterly Bulletin, July 1950, 17-19.
  8. 8.0 8.1 Nugent, Mary. "Barton-Wright and his Japanese Wrestlers," Health and Strength, December 1901, v. 3:6, pp. 336-341.
  9. Koizumi, Gunji. "Facts and History," Budokwai Quarterly Bulletin, July 1950, pp. 17-19.
  10. Bowen, Richard. "Further Lessons in Baritsu," The Ritual: Review of the Northern Musgraves Sherlock Holmes Society, 1997, v. 20, pp. 22-26.
  11. Noble, Graham. "The Master of Bartitsu," Journal of Asian Martial Arts, 1999, v. 8:2, pp. 50-61.[5]
  12. University of Bath Archives, Richard Bowen Collection.[6]