Prizzi's Money: Difference between revisions
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In Prizzi's Honor, Condon's normal exuberance was somewhat curbed by choosing to narrate the events through the viewpoints of its various semi-literate gangsters, which limited the scope of his imagery. In Money, however, he returns to being his usual [[Omniscient narrator|omniscient narrator]], giving the reader: | In Prizzi's Honor, Condon's normal exuberance was somewhat curbed by choosing to narrate the events through the viewpoints of its various semi-literate gangsters, which limited the scope of his imagery. In Money, however, he returns to being his usual [[Omniscient narrator|omniscient narrator]], giving the reader: | ||
<blockquote> | <blockquote>Vincent had a totally close face<ref>''[[Prizzi's Glory]]'', by Richard Condon, E.P. Dutton, New York, 1988, page 4</ref></blockquote> | ||
<blockquote>yyyy<ref>''[[Prizzi's Glory]]'', by Richard Condon, E.P. Dutton, New York, 1988, page 9</ref></blockquote> | <blockquote>yyyy<ref>''[[Prizzi's Glory]]'', by Richard Condon, E.P. Dutton, New York, 1988, page 9</ref></blockquote> |
Revision as of 12:49, 9 February 2020
Prizzi's Money is a satirical, semi-humorous crime novel by Richard Condon published in 1994. It is the last of four novels featuring the Prizzis, a powerful family of Mafiosi in New York City. In all four novels the main protagonist is a top member of the family named Charlie Partanna.
Plot summary
Condon's style
Condon attacked his targets, usually gangsters, financiers, and politicians, wholeheartedly and with a uniquely original style and wit that make almost any paragraph from one of his books instantly recognizable. Reviewing one of his works in the International Herald Tribune, the well-known playwright George Axelrod (The Seven-Year Itch, Will Success Spoil Rock Hunter), who had collaborated with Condon on the screenplay for the film adaptation of The Manchurian Candidate, wrote:
"The arrival of a new novel by Richard Condon is like an invitation to a party.... the sheer gusto of the prose, the madness of his similes, the lunacy of his metaphors, his infectious, almost child-like joy in composing complex sentences that go bang at the end in the manner of exploding cigars is both exhilarating and as exhausting as any good party ought to be."
In Prizzi's Honor, Condon's normal exuberance was somewhat curbed by choosing to narrate the events through the viewpoints of its various semi-literate gangsters, which limited the scope of his imagery. In Money, however, he returns to being his usual omniscient narrator, giving the reader:
Vincent had a totally close face[1]
yyyy[2]
zzzz[3]
Real-life names in the book
All of Condon's books have, to an unknown degree, the names of real people in them as characters, generally very minor or peripheral. The most common, which appears in most of his books, is some variation of Franklin M. Heller. The real-life Heller was a television director in New York City in the 1950s, '60s, and 70s, who initially lived on Long Island and then moved to a house on Rockrimmon Road in Stamford, Connecticut.[4] In this book there are brief mentions of a Wall Street law firm of O'Connell, Heller & Melvin.
A.H. Weiler, a film critic for The New York Times, was another friend of Condon's who in this book is mentioned as Abraham Weiler, "the most renowned plastic surgeon of the day".
In a number of books a character named Keifetz appears, named apparently for Robert Keifetz, a New York City author who wrote a novel about a major league baseball player called The Sensation—that novel was dedicated to Condon. In this book he
Reception
Publishers Weekly loved it:
xxx[5]
Kirkus Review had mixed feelings about it:
xxx[6]
The New York Times, definitely liked it:
xxxx[7]
External links
- ↑ Prizzi's Glory, by Richard Condon, E.P. Dutton, New York, 1988, page 4
- ↑ Prizzi's Glory, by Richard Condon, E.P. Dutton, New York, 1988, page 9
- ↑ Prizzi's Glory, by Richard Condon, E.P. Dutton, New York, 1988, page 110
- ↑ Remembrance of Frank Heller, by Ira Skutch, at
- ↑ Publishers Weekly, 1 September 1988
- ↑ Kirkus Review, 23 September 1988
- ↑ The New York Times, 9 October 1988