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== '''[[The Clash of Civilizations and the Remaking of World Order]]''' ==
{{:{{FeaturedArticleTitle}}}}
''by  [[User:Howard C. Berkowitz|Howard C. Berkowitz]]
<small>
 
==Footnotes==
----
'''''The Clash of Civilizations and the Remaking of World Order''''' is an influential and controversial book on [[grand strategy]], [[international relations]] and world futures, by the late political scientist [[Samuel Huntington]]. He does not rigorously define an abstraction of a [[civilization]], but uses examples, although in a ''[[Foreign Affairs (magazine)|Foreign Affairs]]'' article he called a civilization "the highest cultural grouping and the broadest level of cultural identity short of that which distinguishes humans from other species."<noinclude><ref name=Huntington-FA>{{citation
|title= The Clash of Civilizations?
| date = Summer 1993
| url = http://uniset.ca/terr/news/fgnaff_huntingtonclash.html
| journal = [[Foreign Affairs (magazine)|Foreign Affairs]]
| author = [[Samuel Huntington|Samuel P. Huntington]]}}</ref></noinclude>
 
In the book, the chief premise is
<blockquote>that culture and cultural identifies, which at the broadest level are civilization identities, are shaping the patterns of cohesion, disintegration and culture in the post-[[Cold War]] world.<ref name=Huntington-1996>{{cite book
| title = The Clash of Civilizations and the Remaking of World Order
| author =  [[Samuel Huntington|Samuel P. Huntington]]
| publisher= Simon & Schuster
| year = 1996
| ISBN-10 = 0684811642
}},p. 20</ref></blockquote> 
 
It takes a darker view than some alternative models, such as that of [[Thomas P.M. Barnett]] in ''[[The Pentagon's New Map]]'',<ref name=Barnett>{{cite book
| author = Barnett, Thomas P.M.
| title = The Pentagon's New Map: The Pentagon's New Map: War and Peace in the Twenty-first Century
| publisher = Berkley Trade
| year = 2005
| ISBN-10 = 0425202399
}}</ref> suggesting that major conflict is likely; "avoidance of a global war of civilization depends on world leaders accepting and cooperating to maintain the multicivilizational character of global politics." He bases this on five corollaries to the central theme:
#Global politics is multipolar and multicivilizational; [[modernization (cultural)|modernization]] is distinct from [[Westernization]]
#"The balance of power among civilizations is shifting; the West is declining in relative influence"
#"A civilization-based world order is emerging; societies sharing cultural affinities cooperate with each other; efforts to shift societies from one civilization to another are unsuccessful
#"The West's universalist pretentions increasingly bring it into conflict with other civilizations, most seriously with Islam and China"
#"The survival of the West depends on Americans reaffirming their Western identity and Westerners accepting their civilization as unique not universal"
 
He rejects [[globalization]] as being neither necessary nor desirable. He specifically rejects the [[The End of History and the Last Man|"end of history"]] model of his student, [[Francis Fukuyama]]:<blockquote>we may be witnessing..the end of history as such: that is, the end point of mankind's ideological evolution and the universalization of Western liberal democracy as the final form of human government.<ref name=FukuyamaEnd>{{citation
| author = [[Francis Fukuyama]]
| journal = [[The National Interest]]
| title = The End of History
| volume = 16
| date = Summer 1989
| issue = 4 }}, p. 18</ref></blockquote> Note that Fukuyama has sometimes been strongly identified with [[neoconservatism]], which has this ideal of liberal democracy, although his position keeps evolving.
 
''[[The Clash of Civilizations and the Remaking of World Order|.... (read more)]]''
 
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|-
! style="text-align: center;" | &nbsp;[[The Clash of Civilizations and the Remaking of World Order#References|notes]]
|-
|
{{reflist|2}}
{{reflist|2}}
|}
</small>

Latest revision as of 10:19, 11 September 2020

1901 photograph of a stentor (announcer) at the Budapest Telefon Hirmondó.

Telephone newspaper is a general term for the telephone-based news and entertainment services which were introduced beginning in the 1890s, and primarily located in large European cities. These systems were the first example of electronic broadcasting, and offered a wide variety of programming, however, only a relative few were ever established. Although these systems predated the invention of radio, they were supplanted by radio broadcasting stations beginning in the 1920s, primarily because radio signals were able to cover much wider areas with higher quality audio.

History

After the electric telephone was introduced in the mid-1870s, it was mainly used for personal communication. But the idea of distributing entertainment and news appeared soon thereafter, and many early demonstrations included the transmission of musical concerts. In one particularly advanced example, Clément Ader, at the 1881 Paris Electrical Exhibition, prepared a listening room where participants could hear, in stereo, performances from the Paris Grand Opera. Also, in 1888, Edward Bellamy's influential novel Looking Backward: 2000-1887 foresaw the establishment of entertainment transmitted by telephone lines to individual homes.

The scattered demonstrations were eventually followed by the establishment of more organized services, which were generally called Telephone Newspapers, although all of these systems also included entertainment programming. However, the technical capabilities of the time meant that there were limited means for amplifying and transmitting telephone signals over long distances, so listeners had to wear headphones to receive the programs, and service areas were generally limited to a single city. While some of the systems, including the Telefon Hirmondó, built their own one-way transmission lines, others, including the Electrophone, used standard commercial telephone lines, which allowed subscribers to talk to operators in order to select programming. The Telephone Newspapers drew upon a mixture of outside sources for their programs, including local live theaters and church services, whose programs were picked up by special telephone lines, and then retransmitted to the subscribers. Other programs were transmitted directly from the system's own studios. In later years, retransmitted radio programs were added.

During this era telephones were expensive luxury items, so the subscribers tended to be the wealthy elite of society. Financing was normally done by charging fees, including monthly subscriptions for home users, and, in locations such as hotel lobbies, through the use of coin-operated receivers, which provided short periods of listening for a set payment. Some systems also accepted paid advertising.

Footnotes