Abstract expressionism: Difference between revisions
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'''Abstract expressionism'''<ref>[http://www.worldcat.org/oclc/299204717&referer=brief_results ''Oxford Dictionary of 20th Century Art'']</ref> was the dominant movement in [[American]] [[painting]] and [[sculpture]] in the late 1940s and the 1950s. It was characterized by a desire to convey powerful emotions through the sensuous qualities of paint, bold gestures, physicality and spontaneity of process, heroic scale, and the introspection of the artist, often on canvases of huge size. | '''Abstract expressionism'''<ref>[http://www.worldcat.org/oclc/299204717&referer=brief_results ''Oxford Dictionary of 20th Century Art'']</ref> was the dominant movement in [[American]] [[painting]] and [[sculpture]] in the late 1940s and the 1950s. It was characterized by a desire to convey powerful emotions through the sensuous qualities of paint, bold gestures, physicality and spontaneity of process, heroic scale, and the introspection of the artist, often on canvases of huge size. | ||
The style is most closely associated with a generation of [[New York]] painters—[[New York School abstract expressionism]]—of the 1940s and 1950s who studied under [[European]] modernists (such as [[Wasily Kandinsky]], [[Piet Mondrian]], and [[Max Ernst]]) who fled to America in the face of [[fascism]]. | The style is most closely associated with a generation of [[New York (disambiguation)|New York]] painters—[[New York School abstract expressionism]]—of the 1940s and 1950s who studied under [[European]] modernists (such as [[Wasily Kandinsky]], [[Piet Mondrian]], and [[Max Ernst]]) who fled to America in the face of [[fascism]]. | ||
According to [[Alfred H. Barr, Jr.]],<ref>[http://www.worldcat.org/oclc/300183&referer=brief_results ''Masters of Modern Art,''] p.174</ref> abstract expressionism was anticipated in various ways by [[van Gogh]], [[Monet]], [[Redon]], and [[Matisse]] but firmly established by [[Kandinsky]] about 1912. | According to [[Alfred H. Barr, Jr.]],<ref>[http://www.worldcat.org/oclc/300183&referer=brief_results ''Masters of Modern Art,''] p.174</ref> abstract expressionism was anticipated in various ways by [[van Gogh]], [[Monet]], [[Redon]], and [[Matisse]] but firmly established by [[Kandinsky]] about 1912. | ||
'''Prominent abstract expressionists'''<ref>[http://www.worldcatlibraries.org/oclc/50253062&tab=holdings ''American Abstract Expressionism of the 1950s An Illustrated Survey,'']</ref> | '''Prominent abstract expressionists'''<ref>[http://www.worldcatlibraries.org/oclc/50253062&tab=holdings ''American Abstract Expressionism of the 1950s An Illustrated Survey,'']</ref> | ||
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{| | {| | ||
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*[[Charles Henry Alston]] (1907 – 1977) | |||
*[[James Brooks]] (1906 – 1992) | *[[James Brooks]] (1906 – 1992) | ||
*[[Giorgio Cavallon]] (1904 - 1989) i | *[[Giorgio Cavallon]] (1904 - 1989) i | ||
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*[[Franz Kline]] (1910 – 1962) | *[[Franz Kline]] (1910 – 1962) | ||
*[[Albert Kotin]] (1907 – 1980) | *[[Albert Kotin]] (1907 – 1980) | ||
*[[Lee Krasner]] (1908 – 1984) | *[[Lee Krasner]] (1908 – 1984) | ||
*[[Seymour Lipton]] (1903 – 1986) | *[[Norman W. Lewis]] (1909 – 1979) | ||
*[[Seymour Lipton]] (1903 – 1986){{col-break|width=50%}} | |||
*[[Conrad Marca-Relli]] (1913 – 2000) | *[[Conrad Marca-Relli]] (1913 – 2000) | ||
*[[George McNeil]] (1908 – 1995) | *[[George McNeil]] (1908 – 1995) | ||
| Line 47: | Line 49: | ||
*[[Theodoros Stamos]] (1922 – 1997) | *[[Theodoros Stamos]] (1922 – 1997) | ||
*[[Clifford Still]] (1904 – 1980) | *[[Clifford Still]] (1904 – 1980) | ||
*[[Mark Tobey]] (1890 – 1976) | |||
*[[Alma Thomas]] (1891 – 1978) | |||
*[[Bradley Walker Tomlin]] (1899 – 1953) | *[[Bradley Walker Tomlin]] (1899 – 1953) | ||
*[[Jack Tworkov]] (1900 – 1982) | *[[Jack Tworkov]] (1900 – 1982) | ||
*[[Esteban Vicente]] (1903 – 2001) | *[[Esteban Vicente]] (1903 – 2001) | ||
*[[Hale Aspacio Woodruff]] (1900 – 1980) | |||
|} | |} | ||
==References== | ==References== | ||
{{reflist}} | {{reflist}}[[Category:Suggestion Bot Tag]] | ||
Latest revision as of 16:00, 5 July 2024
Abstract expressionism[1] was the dominant movement in American painting and sculpture in the late 1940s and the 1950s. It was characterized by a desire to convey powerful emotions through the sensuous qualities of paint, bold gestures, physicality and spontaneity of process, heroic scale, and the introspection of the artist, often on canvases of huge size.
The style is most closely associated with a generation of New York painters—New York School abstract expressionism—of the 1940s and 1950s who studied under European modernists (such as Wasily Kandinsky, Piet Mondrian, and Max Ernst) who fled to America in the face of fascism.
According to Alfred H. Barr, Jr.,[2] abstract expressionism was anticipated in various ways by van Gogh, Monet, Redon, and Matisse but firmly established by Kandinsky about 1912.
Prominent abstract expressionists[3]
References |