Georgette Heyer

If anything good can be said to have resulted from the 2020 COVID-19 pandemic, it is that people once again turned to reading and grown women were forced to fall back on what surely had been a teenage comfort and began to remember how much they had once enjoyed reading the Regency romance novels by Georgette Heyer (1902-1974). Heyer was a prolific English historical novelist who had a loyal following among women during her lifetime and beyond, who arguably created the Regency romance genre that has been exploited by dozens of later (mostly lesser) writers, and whose works remained widely unnoticed after her death. She gave no interviews during her lifetime, although at least one of her books, The Foundling, was reviewed in 1948 by the New York Times, which stated, "Miss Heyer writes cheerful and highly unorthodox historical novels about Regency England, in which people never lose their lives, their virtue or even their tempers". But the tide has turned; by 2022, public libraries had noticed that her books are not only still in circulation but often have a waitlist, there is a Georgette Heyer podcast, amd Vox declared: "When will Hollywood discover Georgette Heyer?". More than one woman might have wondered how NetFlix, in 2020, could choose to produce a TV series by Julia Quinn instead of any one of several delightful but far less sexually explicit romps by Georgette Heyer.

Inspired by the social setting of the Jane Austen novels, Heyer wrote more than two dozen historial "romances", mostly set in England's Regency period (1811-1820) or earlier. The predictable social rules of Heyer's fictional world, mostly set in the early 1800's (and some even earlier), provide a stable canvas for her wildly inventive tangles of household and familial relationships, often about relatives struggling to control children and children struggling for independence, or about children who can't avoid their familial relationships but neither do they feel particularly fond of their family. Each Regency novel has a female lead and a male lead who, sooner or later, marry and at some point are lucky enough to develop mutual respect and affection. Each book has Heyer's signature language: children are offspring, sporting men are Corinthians, vain men at exquisites, and there is likely to be thieves' cant, travel by coach and horseback, and fortunes changed by the Napoleanic wars.

Heyer's stylized language, which she meticulously collected and gleaned from historical artifacts of the Regency period, have been widely copied by other writers. No doubt many women recognized the irony that the Bridgerton books by Julia Quinn, made into a TV series by Netflix, are entirely standing on the shoulders of Georgette Heyer's body of work.

Later in her career, she began writing detective stories as well.