Search results
Jump to navigation
Jump to search
Page title matches
- ...is not explicitly 'about' anything, non-representational or non-objective. Absolute music has no words and no references to stories, scenes, illustrations or any oth449 bytes (66 words) - 17:35, 22 February 2010
- #REDIRECT [[Absolute music]]28 bytes (3 words) - 22:52, 22 February 2010
- 137 bytes (15 words) - 17:41, 22 February 2010
- *Ashby, Arved Mark (2010) ''Absolute Music, Mechanical Reproduction''. Berkeley: University of California Press. ISBN *Chua, Daniel K L (1999) ''Absolute Music and the Construction of Meaning''. Cambridge, UK; New York: Cambridge Unive476 bytes (62 words) - 21:00, 22 February 2010
- 328 bytes (44 words) - 20:40, 22 February 2010
Page text matches
- ...is not explicitly 'about' anything, non-representational or non-objective. Absolute music has no words and no references to stories, scenes, illustrations or any oth449 bytes (66 words) - 17:35, 22 February 2010
- {{rpl|Absolute music}}123 bytes (16 words) - 22:50, 22 February 2010
- *Ashby, Arved Mark (2010) ''Absolute Music, Mechanical Reproduction''. Berkeley: University of California Press. ISBN *Chua, Daniel K L (1999) ''Absolute Music and the Construction of Meaning''. Cambridge, UK; New York: Cambridge Unive476 bytes (62 words) - 21:00, 22 February 2010
- #REDIRECT [[Absolute music]]28 bytes (3 words) - 22:52, 22 February 2010
- ...e composer in words, but is about "itself". The most prominent adherent of absolute music in the nineteenth century was [[Johannes Brahms]].2 KB (225 words) - 06:38, 8 January 2008