Rufus C. Somerby

'Rufus C. Somerby was an entertainer, showman, and panoramist in the mid-nineteenth century, and one of a very few men of his profession to leave behind any memoirs or account of his activities. He is chiefly known through a series of articles he wrote in 1902 and 1903 for The Billboard, the ancestor of today's Billboard Magazine, which at the time was a trade journal for circus, carnival, and theatrical performers and managers. Mr. Somerby operated several Moving panoramas under the management of Boston's George K. Goodwin, including a panorama of "Dr. Kane's Arctic Voyages," and also was involved in mechanical theatres. He worked as an agent for P.T. Barnum, bringing one such mechanical theatre, "Thiodon's Theatre of Arts," from Britain to the United States for an exhibition at Barnum's American Museum. Later, after this mechanical show was completed his run, he oversaw its re-making into two smaller such theatres, one of which had its figures re-painted to as to present not "The Battle of Balaclava" in the Crimean War, but the assault of Fort Sumpter, by a panorama broker in Providence, Rhode Island.

Someby himself later served in the U.S. Civil War as a Lietenant in both Companies "A" and "B" of the Ninth Kentucky Regiment. After his service, he returned to the show trade, working with the well-known Boston actor and theatrical agent, Edward P. Kendall as part of a variety troupe, established in 1867, which toured the country. Other members of this troupe included John Maguire, Barney McNulty, C. Amory Bruce, L. M. W. Steere and D. B. Hodges. Somerby also headed his own bills as a professional lecturer; in 1877, there is a record of his operating his own Fair, which included himself as "graphic lecturer" (probably with a panorama), O-car Shaffer, a "facial contortionist," the singer Louise Shaffer, and a player of the "musical glasses" (probably a sort of glass harmonica.