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==Recording sessions==
==Recording sessions==
Many of the songs featured on the album were conceived in mid-1970 at Bron-Yr-Aur, an 18th century cottage in Gwynedd, [[Wales]], on a hilltop overlooking the [[River Dyfi|Dyfi]] Valley, three miles north of the market town [[Machynlleth]]. There, Led Zeppelin vocalist [[Robert Plant]] and guitarist [[Jimmy Page]] spent some time after a [[Led Zeppelin North American Tour Spring 1970|concert tour of the United States]] to play and compose new music. This remote setting had no running water or electric power, which encouraged a slight change of direction for the band towards an emphasis on acoustic arrangements.<ref>Lewis, Dave (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-7119-3528-9</ref><ref>Welch, Chris (1994) ''Led Zeppelin'', London: Orion Books. ISBN 0-85797-930-3, pp. 52, 55.</ref> As Page later explained:
Many of the songs featured on the album were conceived in mid-spring 1970 at Bron-Yr-Aur, an 18th century cottage in Gwynedd, South [[Wales]], on a hilltop overlooking the [[River Dyfi|Dyfi]] Valley, three miles north of the market town [[Machynlleth]]. There, Led Zeppelin vocalist [[Robert Plant]] and guitarist [[Jimmy Page]] spent some time after a [[Led Zeppelin North American Tour Spring 1970|concert tour of the United States]] to play and compose new music. This remote setting had no running water or electric power, which encouraged a slight change of direction for the band towards an emphasis on acoustic arrangements.<ref>Lewis, Dave (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-7119-3528-9</ref><ref>Welch, Chris (1994) ''Led Zeppelin'', London: Orion Books. ISBN 0-85797-930-3, pp. 52, 55.</ref> As Page later explained: {{Quote|After the intense touring that had been taking place through the first two albums, working almost 24 hours a day, basically, we managed to stop and have a proper break, a couple of months as opposed to a couple of weeks. We decided to go off and rent a cottage to provide a contrast to motel rooms. Obviously, it had quite an effect on the material that was written ... It was the tranquility of the place that set the tone of the album. Obviously, we weren't crashing away at 100 watt [[Marshall Amplification|Marshall]] stacks. Having played acoustic and being interested in classical guitar, anyway, being in a cottage without electricity, it was acoustic guitar time ... After all the heavy, intense vibe of touring which is reflected in the raw energy of the second album, it was just a totally different feeling.<ref>Dave Schulps, [http://www.iem.ac.ru/zeppelin/docs/interviews/page_77.trp Interview with Jimmy Page], ''[[Trouser Press]]'', October 1977.</ref>}}


{{Quote|After the intense touring that had been taking place through the first two albums, working almost 24 hours a day, basically, we managed to stop and have a proper break, a couple of months as opposed to a couple of weeks. We decided to go off and rent a cottage to provide a contrast to motel rooms. Obviously, it had quite an effect on the material that was written ... It was the tranquility of the place that set the tone of the album. Obviously, we weren't crashing away at 100 watt [[Marshall Amplification|Marshall]] stacks. Having played acoustic and being interested in classical guitar, anyway, being in a cottage without electricity, it was acoustic guitar time ... After all the heavy, intense vibe of touring which is reflected in the raw energy of the second album, it was just a totally different feeling.<ref>Dave Schulps, [http://www.iem.ac.ru/zeppelin/docs/interviews/page_77.trp Interview with Jimmy Page], ''[[Trouser Press]]'', October 1977.</ref>}}
After preparing the material that would emerge on the album, Page and Plant were joined by the other members of the band (drummer [[John Bonham]] and bass player [[John Paul Jones (musician)|John Paul Jones]]) at [[Headley Grange]], a historic mansion in [[East Hampshire]], to rehearse the songs. With its relaxed atmosphere and rural surroundings, Headley Grange appealed to the band as the favoured alternative to the discipline of a conventional studio.<ref>Lewis, Dave (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-711-3528-9</ref> By mid-May, the band were ready to record the songs for their third album, ''Led Zeppelin III''.
 
After preparing the material that would emerge on the album, Page and Plant were joined by the other members of the band (drummer [[John Bonham]] and bass player [[John Paul Jones (musician)|John Paul Jones]]) at [[Headley Grange]], a historic mansion in [[East Hampshire]], to rehearse the songs. With its relaxed atmosphere and rural surroundings, Headley Grange appealed to the band as the favoured alternative to the discipline of a conventional studio.<ref>Lewis, Dave (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-711-3528-9</ref>


The album was then recorded in a series of sessions in May and June 1970 at both Headley Grange and at [[Olympic Studios]], [[London]]. Some additional work was put in at [[Island Records]]' new [[Basing Street Studios]] in [[Notting Hill]], London, in July, then mixed at Ardent Studios, [[Memphis, Tennessee|Memphis]] in August 1970 during Led Zeppelin's [[Led Zeppelin North American Tour Summer 1970|sixth American concert tour]].<ref>Lewis, Dave (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-711-3528-9</ref> The album was produced by Page and engineered by [[Andy Johns]] and [[Terry Manning]].
The album was then recorded in a series of sessions in May and June 1970 at both Headley Grange and at [[Olympic Studios]], [[London]]. Some additional work was put in at [[Island Records]]' new [[Basing Street Studios]] in [[Notting Hill]], London, in July, then mixed at Ardent Studios, [[Memphis, Tennessee|Memphis]] in August 1970 during Led Zeppelin's [[Led Zeppelin North American Tour Summer 1970|sixth American concert tour]].<ref>Lewis, Dave (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-711-3528-9</ref> The album was produced by Page and engineered by [[Andy Johns]] and [[Terry Manning]].


==Composition==
==Composition==
As noted above, ''Led Zeppelin III'' marked a change in focus for the band from late 1960s hard rock to a more [[folk rock]] or [[electric folk]] and [[Acoustic Music|acoustic]] inspired sound.<ref>Lewis, Dave (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-711-3528-9</ref> These styles had been present to a lesser degree in the band's first two releases, but here it was the main emphasis - and one that would remain prominent in the group's later albums. This development endeared the band to many [[progressive rock]] fans who would never have listened to Led Zeppelin's established [[blues]] and [[Rock music|rock]] repertoire. With ''Led Zeppelin III'' the group's songwriting dynamic also changed, towards a more group affair in which all four group members contributed their own compositions and ideas - patterns that would continue in future sessions.<ref>Lewis, Dave (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-711-3528-9</ref>
This album differed more greatly from its predecessors. ''Led Zeppelin III'' featured a few heavy numbers, and a lot of acoustic numbers. Practically the entire latter half of the album consisted of acoustic songs. This was a dramatic change from Zeppelin's hard blues repetoire to a more [[folk rock]] or [[electric folk]] and [[Acoustic Music|acoustic]] inspired sound.<ref>Lewis, Dave (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-711-3528-9</ref> These styles had been present to a lesser degree in the band's first two releases, but here it was the main emphasis - and one that would remain prominent in the group's later albums. This development endeared the band to many [[progressive rock]] fans who would never have listened to Led Zeppelin's established [[blues]] and [[Rock music|rock]] repertoire. With ''Led Zeppelin III'' the group's songwriting dynamic also changed, towards a more group affair in which all four group members contributed their own compositions and ideas - patterns that would continue in future sessions.<ref>Lewis, Dave (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-711-3528-9</ref> Pages stated: {{Quote|The element of change has been the thing, really. We put out the first one, then the second... then a third LP totally different from them. It's the reason we were able to keep it together.}}


The album contains two songs which became key components of the band's live concert performances for many years: '[[Immigrant Song]]' and '[[Since I've Been Loving You]]'. The first of these, written by Jimmy Page and Robert Plant, is about the [[Norway|Norse]] invasions of England and was inspired by the band's recent live performance in [[Iceland]]. 'Since I've Been Loving You' is a classic, original blues in the key of C minor featuring heartfelt interplay by all four group members. It would become a live performance staple for the band, especially from 1971 through 1973, replacing the slow blues of '[[I Can't Quit You Baby]]' from the first album as the band's slow blues showcase.
The album contains two songs which became key components of the band's live concert performances for many years: '[[Immigrant Song]]' and '[[Since I've Been Loving You]]'. The first of these, written by Jimmy Page and Robert Plant, is about the [[Norway|Norse]] invasions of England and was inspired by the band's recent live performance in [[Iceland]]. 'Since I've Been Loving You' is a classic, original blues in the key of C minor featuring heartfelt interplay by all four group members. It would become a live performance staple for the band, especially from 1971 through 1973, replacing the slow blues of '[[I Can't Quit You Baby]]' from the first album as the band's slow blues showcase. The album also featured the rock songs '[[Celebration Day]]' and '[[Out on the Tiles]]', the eastern-influenced '[[Friends (song)|Friends]]' and the acoustic tracks '[[Bron-Y-Aur Stomp]]', '[[Tangerine (song)|Tangerine]]' and '[[That's the Way]]', the latter considered by Page to be a breakthrough for still-developing lyric writer Plant. The album concludes with '[[Hats Off to (Roy) Harper]]', a track dedicated to their influential contemporary and friend, [[Roy Harper]], honouring Harper’s work and acknowledging the band’s roots in acoustic music.


The album also featured the rock songs '[[Celebration Day]]' and '[[Out on the Tiles]]', the eastern-influenced '[[Friends (song)|Friends]]' and the acoustic tracks '[[Bron-Y-Aur Stomp]]', '[[Tangerine (song)|Tangerine]]' and '[[That's the Way]]', the latter considered by Page to be a breakthrough for still-developing lyric writer Plant. The album concludes with '[[Hats Off to (Roy) Harper]]', a track dedicated to their influential contemporary and friend, [[Roy Harper]], honouring Harper’s work and acknowledging the band’s roots in acoustic music.
All in all, the band enjoyed putting together the third album, definitely more so than the second, where the sessions had been filled with pressures and stresses that did not necessarily make it easier for the band to create an album. 'This is the way we have to do it from now on,' Page said. 'I feel energized with this kind of pace.' The band also felt that the atmosphere at Bron-Yr-Aur had helped their creativity ebb and flow, and they even credited the cottage inside the album jacket: {{Quote|Credit must be given to Bron-Yr-Aur, a small derelict cottage in South Snowdonia for painting a somewhat forgotten picture of true completeness which acted as an incentive to some of these musical statements.}}


==Release and critical reaction==
==Release and critical reaction==
''Led Zeppelin III'' was one of the most eagerly awaited albums of 1970, and advance orders in the United States alone were close to a million mark.<ref>Lewis, Dave (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-711-3528-9</ref> Its release was trailered by a full page advertisement taken out in ''[[Melody Maker]]'' magazine at the end of September, which simply said 'Thank you for making us the world's number one band.'<ref>Lewis, Dave (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-711-3528-9</ref>
''Led Zeppelin III'' was one of the most eagerly awaited albums of 1970, and advance orders in the United States alone were close to a million mark.<ref>Lewis, Dave (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-711-3528-9</ref> Its release was trailered by a full page advertisement taken out in ''[[Melody Maker]]'' magazine at the end of September, which simply said 'Thank you for making us the world's number one band.'<ref>Lewis, Dave (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-711-3528-9</ref> The album was released on 5 October 1970 in the United States and 23 October 1970 in the United Kingdom.


''Led Zeppelin III'' was a [[trans-Atlantic]] number 1 hit. It spent four weeks at the top of the Billboard chart, while it entered that British chart at number one and remained there for three weeks (returning to the top for a further week on 12 December).<ref>Lewis, Dave (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-711-3528-9</ref> In spite of its initially mixed reviews and lower sales than Led Zeppelin's other early albums, ''Led Zeppelin III'''s reputation has recovered considerably with the passage of time. The [[RIAA]] certified the album 2× platinum in 1990, and 6× platinum in 1999.<ref>[http://www.riaa.com/goldandplatinumdata.php?table=SEARCH_RESULTS&title=LED%20ZEPPELIN%20III&perPage=25 LED ZEPPELIN III search results], ''[[RIAA]]'' official website.</ref>
''Led Zeppelin III'' was a [[trans-Atlantic]] number 1 hit. It spent four weeks at the top of the Billboard chart, while it entered that British chart at number one and remained there for three weeks (returning to the top for a further week on 12 December).<ref>Lewis, Dave (1994), ''The Complete Guide to the Music of Led Zeppelin'', Omnibus Press, ISBN 0-711-3528-9</ref> In spite of its initially mixed reviews and lower sales than Led Zeppelin's other early albums, ''Led Zeppelin III'''s reputation has recovered considerably with the passage of time. The [[RIAA]] certified the album 2× platinum in 1990, and 6× platinum in 1999.<ref>[http://www.riaa.com/goldandplatinumdata.php?table=SEARCH_RESULTS&title=LED%20ZEPPELIN%20III&perPage=25 LED ZEPPELIN III search results], ''[[RIAA]]'' official website.</ref>

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Led Zeppelin III
LZIIIalbum1970.jpg
Type Studio album
Artist Led Zeppelin
Release Date 5 October 1970 (US), 23 October 1970 (UK)
Recorded May - July 1970 at
Island Studios, London;
Headley Grange, Hampshire, with The Rolling Stones Mobile Studio.
Mixed at Electric Lady, New York;
Ardent Studios, Memphis.
Genre Hard rock, blues rock, folk rock
Language English
Length 43 min 4 sec
Label Atlantic Records
Catalogue Atlantic SD 7201 (US), Atlantic 2401 002 (UK)
Producer Jimmy Page
Engineer Andy Johns & Terry Manning

Led Zeppelin III is the third album by English rock band Led Zeppelin. It was recorded between January and July 1970 and was released on 5 October 1970 by Atlantic Records. Composed largely at a remote cottage in Wales known as Bron-Yr-Aur, this work represented a maturing of the band's music towards a greater emphasis on folk and acoustic sounds. This surprised many fans and critics, and upon its release the album received rather indifferent reviews. Although it is not one of the highest sellers in Led Zeppelin's catalog, Led Zeppelin III is now generally acknowledged as representing an important milestone in the band's history.

Recording sessions

Many of the songs featured on the album were conceived in mid-spring 1970 at Bron-Yr-Aur, an 18th century cottage in Gwynedd, South Wales, on a hilltop overlooking the Dyfi Valley, three miles north of the market town Machynlleth. There, Led Zeppelin vocalist Robert Plant and guitarist Jimmy Page spent some time after a concert tour of the United States to play and compose new music. This remote setting had no running water or electric power, which encouraged a slight change of direction for the band towards an emphasis on acoustic arrangements.[1][2] As Page later explained:

‘ After the intense touring that had been taking place through the first two albums, working almost 24 hours a day, basically, we managed to stop and have a proper break, a couple of months as opposed to a couple of weeks. We decided to go off and rent a cottage to provide a contrast to motel rooms. Obviously, it had quite an effect on the material that was written ... It was the tranquility of the place that set the tone of the album. Obviously, we weren't crashing away at 100 watt Marshall stacks. Having played acoustic and being interested in classical guitar, anyway, being in a cottage without electricity, it was acoustic guitar time ... After all the heavy, intense vibe of touring which is reflected in the raw energy of the second album, it was just a totally different feeling.[3] ’

After preparing the material that would emerge on the album, Page and Plant were joined by the other members of the band (drummer John Bonham and bass player John Paul Jones) at Headley Grange, a historic mansion in East Hampshire, to rehearse the songs. With its relaxed atmosphere and rural surroundings, Headley Grange appealed to the band as the favoured alternative to the discipline of a conventional studio.[4] By mid-May, the band were ready to record the songs for their third album, Led Zeppelin III.

The album was then recorded in a series of sessions in May and June 1970 at both Headley Grange and at Olympic Studios, London. Some additional work was put in at Island Records' new Basing Street Studios in Notting Hill, London, in July, then mixed at Ardent Studios, Memphis in August 1970 during Led Zeppelin's sixth American concert tour.[5] The album was produced by Page and engineered by Andy Johns and Terry Manning.

Composition

This album differed more greatly from its predecessors. Led Zeppelin III featured a few heavy numbers, and a lot of acoustic numbers. Practically the entire latter half of the album consisted of acoustic songs. This was a dramatic change from Zeppelin's hard blues repetoire to a more folk rock or electric folk and acoustic inspired sound.[6] These styles had been present to a lesser degree in the band's first two releases, but here it was the main emphasis - and one that would remain prominent in the group's later albums. This development endeared the band to many progressive rock fans who would never have listened to Led Zeppelin's established blues and rock repertoire. With Led Zeppelin III the group's songwriting dynamic also changed, towards a more group affair in which all four group members contributed their own compositions and ideas - patterns that would continue in future sessions.[7] Pages stated:

‘ The element of change has been the thing, really. We put out the first one, then the second... then a third LP totally different from them. It's the reason we were able to keep it together. ’

The album contains two songs which became key components of the band's live concert performances for many years: 'Immigrant Song' and 'Since I've Been Loving You'. The first of these, written by Jimmy Page and Robert Plant, is about the Norse invasions of England and was inspired by the band's recent live performance in Iceland. 'Since I've Been Loving You' is a classic, original blues in the key of C minor featuring heartfelt interplay by all four group members. It would become a live performance staple for the band, especially from 1971 through 1973, replacing the slow blues of 'I Can't Quit You Baby' from the first album as the band's slow blues showcase. The album also featured the rock songs 'Celebration Day' and 'Out on the Tiles', the eastern-influenced 'Friends' and the acoustic tracks 'Bron-Y-Aur Stomp', 'Tangerine' and 'That's the Way', the latter considered by Page to be a breakthrough for still-developing lyric writer Plant. The album concludes with 'Hats Off to (Roy) Harper', a track dedicated to their influential contemporary and friend, Roy Harper, honouring Harper’s work and acknowledging the band’s roots in acoustic music.

All in all, the band enjoyed putting together the third album, definitely more so than the second, where the sessions had been filled with pressures and stresses that did not necessarily make it easier for the band to create an album. 'This is the way we have to do it from now on,' Page said. 'I feel energized with this kind of pace.' The band also felt that the atmosphere at Bron-Yr-Aur had helped their creativity ebb and flow, and they even credited the cottage inside the album jacket:

‘ Credit must be given to Bron-Yr-Aur, a small derelict cottage in South Snowdonia for painting a somewhat forgotten picture of true completeness which acted as an incentive to some of these musical statements. ’

Release and critical reaction

Led Zeppelin III was one of the most eagerly awaited albums of 1970, and advance orders in the United States alone were close to a million mark.[8] Its release was trailered by a full page advertisement taken out in Melody Maker magazine at the end of September, which simply said 'Thank you for making us the world's number one band.'[9] The album was released on 5 October 1970 in the United States and 23 October 1970 in the United Kingdom.

Led Zeppelin III was a trans-Atlantic number 1 hit. It spent four weeks at the top of the Billboard chart, while it entered that British chart at number one and remained there for three weeks (returning to the top for a further week on 12 December).[10] In spite of its initially mixed reviews and lower sales than Led Zeppelin's other early albums, Led Zeppelin III's reputation has recovered considerably with the passage of time. The RIAA certified the album 2× platinum in 1990, and 6× platinum in 1999.[11]

Reviews

Reviewer Country Review Year Score
Scott Floman (Goldmine) United States Rock and Soul Album Reviews 2002 A

Accolades

Publication Country Accolade Year Rank
Dave Marsh United States The Top 40 Albums (1970)[12] 1970 39
Mojo United Kingdom The 100 Greatest Albums Ever Made[13] 1996 99
Colin Larkin United Kingdom The Virgin All-Time Album Top 1000 List[14] 1998 361
Q United Kingdom 50 Best British Albums Ever[15] 2004 9
Robert Dimery United States 1001 Albums You Must Hear Before You Die[16] 2005 *
Classic Rock United Kingdom 100 Greatest British Rock Album Ever[17] 2006 31

(*) designates unordered lists.

Album sleeve design

Led Zeppelin III's original vinyl edition was packaged in a gatefold sleeve with an innovative cover, designed by Zacron, a multi-media artist whom Jimmy Page had met in 1963 whilst Zacron was a student at Kingston College of Art.[18] Zacron had recently resigned a lectureship at Leeds Polytechnic to found Zacron Studios, and in 1970 Page contacted him and asked him to design the third album's cover.

The cover and interior gatefold art consisted of a surreal collection of seemingly random images on a white background, many of them connected thematically with flight or aviation (as in 'Zeppelin'). Behind the front cover was a rotatable laminated card disc, or volvelle, covered with more images, including photos of the band members, which showed through holes in the cover. Moving an image into place behind one hole would usually bring one or two others into place behind other holes. This could not be replicated on a conventional cassette or CD cover, but there have been Japanese and British CDs packaged in miniature versions of the original sleeve. In France this album was released with a different album cover, simply showing a photo of the four band members.

The concept of a volvelle, based on crop rotation charts, was initially Jimmy Page's idea.[19] However, the result was a meeting of minds as Zacron had been working on rotating graphics from 1965. Zacron felt that by not including text on the front of the cover, the art would endure.[20]

In an article featured in the December 2007 issue of Classic Rock magazine, Zacron claimed that upon his completion of the artwork, Jimmy Page telephoned him while he was in New York to express his satisfaction with the results, saying 'I think it is fantastic'.[21] The album cover featured on the front page of The Daily Mail's Live Magazine in December 2007, which hailed Led Zeppelin III as 'The greatest rock album of all time.[22]

Track listing

Album information

Track listing:

  • Side 1:
  1. 'Immigrant Song' (Jimmy Page, Robert Plant) – 2:26
  2. 'Friends' (Jimmy Page, Robert Plant) – 3:55
  3. 'Celebration Day' (Jimmy Page, Robert Plant, John Paul Jones) – 3:29
  4. 'Since I've Been Loving You' (Jimmy Page, Robert Plant, John Paul Jones) – 7:25
  5. 'Out on the Tiles' (Jimmy Page, Robert Plant, John Bonham) - 4:08
  • Side 2:
  1. 'Gallows Pole' (trad. arr. Jimmy Page, Robert Plant) – 4:58
  2. 'Tangerine' (Jimmy Page) – 3:12
  3. 'That's the Way (Jimmy Page, Robert Plant) - 5:39
  4. 'Bron-Y-Aur Stomp' (Jimmy Page, Robert Plant, John Paul Jones) – 4:20
  5. 'Hats Off to (Roy) Harper' (trad. arr. Charles Obscure) – 3:42

Chart positions

Album

Chart (1970) Peak Position
Norwegian Albums Chart[23] 3
US Billboard The 200 Albums Chart[24] 1
US Billboard Black Albums 30
UK Albums Chart[25] 1
Canadian RPM Top 100 Albums Chart[26] 1
Japanese Albums Chart[27] 5
US Record World Top Pop Albums Chart[28] 1
US Cash Box Top 100 Albums Chart[29] 1
German Albums Chart[30] 3
Spanish Albums Chart[31] 6
French Albums Chart[32] 4
Australian Go-Set Top 20 Albums Chart[33] 1

Single

Year Single Chart Position
1970 'Immigrant Song' US Billboard Hot 100 Singles Chart (Pop Singles)[34] 16

Sales certifications

Album

Country Sales Certification
Switzerland (IFPI) 25,000+ Gold[35]
Germany (IFPI) 100,000+ Gold[36]*
United States (RIAA) 6,000,000+ 6× Multi-Platinum[37]
France (SNEP) 300,000+ Platinum[38]
Spain (PROMUSICAE) 40,000+ Gold[39]
Argentina (CAPIF) 40,000+ Platinum[40]
Australia (ARIA) 210,000+ 3× Platinum[41]
Netherlands (NVPI) 30,000+ Gold[42]*

Note: (*) Remastered sales only

Certification history

Organization Level Date
RIAA – USA Gold 8 October 1970
RIAA – USA Platinum 11 December 1990
RIAA – USA 2× Platinum 11 December 1990
RIAA – USA 3× Platinum 20 August 1992
RIAA – USA 4× Platinum 25 November 1997
RIAA – USA 6× Platinum 3 May 1999

Credits

Personnel
  • Musicians:
    • Jimmy Page – acoustic guitar, electric guitar, pedal steel guitar, banjo, backing vocals, producer, remastering, digital remastering
    • Robert Plant – vocals, harmonica
    • John Paul Jones – bass guitar, Hammond organ, synthesizer, mandolin, backing vocals
    • John Bonham - drums, percussion, backing vocals
  • Guests:
    • Viram Jasani – tabla (on 'Friends') [uncredited]
    • Peter Grant - background intro vocals (on 'Friends') [uncredited]
  • Production:
    • Peter Grant – executive producer
    • Andy Johns - engineer, mixing
    • Terry Manning - engineer, mixing
    • Eddie Kramer – mixing
    • Paul Richmond - mastering
    • Richard Drew (Zacron) - sleeve design and graphics
    • Barry Diament - original CD mastering engineer (mid-1980s)
    • George Marino - remastered CD engineer (1990)

Notes

  1. ↑ Lewis, Dave (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-7119-3528-9
  2. ↑ Welch, Chris (1994) Led Zeppelin, London: Orion Books. ISBN 0-85797-930-3, pp. 52, 55.
  3. ↑ Dave Schulps, Interview with Jimmy Page, Trouser Press, October 1977.
  4. ↑ Lewis, Dave (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-711-3528-9
  5. ↑ Lewis, Dave (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-711-3528-9
  6. ↑ Lewis, Dave (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-711-3528-9
  7. ↑ Lewis, Dave (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-711-3528-9
  8. ↑ Lewis, Dave (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-711-3528-9
  9. ↑ Lewis, Dave (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-711-3528-9
  10. ↑ Lewis, Dave (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-711-3528-9
  11. ↑ LED ZEPPELIN III search results, RIAA official website.
  12. ↑ The Top 40 Albums 1970. rocklistmusic.co.uk. Retrieved on 2009-02-10.
  13. ↑ The 100 Greatest Albums Ever Made - January 1996. Mojo. Retrieved on 2009-02-10.
  14. ↑ Virgin All-Time Album Top 1000 List - 1998. Virgin. Retrieved on 2009-02-10.
  15. ↑ 50 Best British Albums Ever - July 2004. Q. Retrieved on 2009-02-10.
  16. ↑ Dimery, Robert - 1001 Albums You Must Hear Before You Die; page 156
  17. ↑ Classic Rock - 100 Greatest British Rock Album Ever - April 2006. Classic Rock. Retrieved on 2009-02-10.
  18. ↑ Zacron - Led Zeppelin III Rock album cover gallery
  19. ↑ Lewis, Dave (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN 0-711-3528-9
  20. ↑ Daily Mail 'Live' Magazine, 2 December 2007, interview with Zacron
  21. ↑ 'Hats Off to Zacron', Classic Rock, December 2007
  22. ↑ Daily Mail 'Live' Magazine, 2 December 2007, interview with Zacron
  23. ↑ Top 20 Singles - 25 October 1970. norwegiancharts.com. Retrieved on 2009-01-19.
  24. ↑ The Billboard 200 - 31 October 1970. Billboard. Retrieved on 2009-01-19.
  25. ↑ Error on call to Template:cite web: Parameters url and title must be specified. chartstats.com. Retrieved on 2009-01-19.
  26. ↑ RPM Albums Chart - 7 November 1970. RPM. Retrieved on 2009-01-19.
  27. ↑ Top 100 Albums - 11 November 1970. Oricon. Retrieved on 2009-01-19.
  28. ↑ Top Pop Albums - 14 November 1970. Record World. Retrieved on 2009-01-19.
  29. ↑ Top 100 Albums - 21 November 1970. Cash Box. Retrieved on 2009-01-19.
  30. ↑ Top 100 Albums - November 1970. charts-surfer.de. Retrieved on 2009-01-19.
  31. ↑ Top 100 Albums - 12 December 1970. PROMUSICAE. Retrieved on 2009-01-19.
  32. ↑ Top 100 Albums - 1970. infodisc.fr. Retrieved on 2009-01-19.
  33. ↑ Top 20 Albums - 23 January 1971. Go Set. Retrieved on 2009-01-19.
  34. ↑ Hot 100 Singles - 30 January 1971. Billboard. Retrieved on 2009-01-19.
  35. ↑ Swiss Charts Certifications: Led Zeppelin III - 1993. swisscharts.com. Retrieved on 2009-01-19.
  36. ↑ Bundesverband Musikindustrie: Led Zeppelin III - 1994. musikindustrie.de. Retrieved on 2009-01-19.
  37. ↑ RIAA.org Led Zeppelin III - 3 May 1999. RIAA. Retrieved on 2009-01-19.
  38. ↑ Disque en France: Led Zeppelin III - 18 October 2001. SNEP. Retrieved on 2009-01-19.
  39. ↑ PROMUSICAE Led Zeppelin III - 2002. PROMUSICAE. Retrieved on 2009-01-19.
  40. ↑ CAPIF: Led Zeppelin - 2003. CAPIF. Retrieved on 2009-01-19.
  41. ↑ ARIA Album Accreditations - 31 December 2006. ARIA. Retrieved on 2009-01-19.
  42. ↑ NVPI: Led Zeppelin III - 2006. NVPI. Retrieved on 2009-01-19.
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