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== '''[[Digital rights management]]''' ==
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==Footnotes==
'''Digital rights management (DRM)''' refers to the laws and technologies which provide intellectual property owners control over the distribution and use of their material by controlling consumers' use of it. The claimed goals are to prevent copying of digital media and to restrict access and content use to what is allowed by [[copyright]] law.<ref name=Bates>Bates, BJ. (2008) 'Commentary: Value and Digital Rights Management-A Social Economics Approach', Journal of Media Economics, 21:1, 53-77</ref>
 
Critics refer to it as "Digital ''Restrictions'' Management", and argue that many of the restrictions it enforces go well beyond the rights granted by law.
 
==History==
Copyright law is the earliest form of [[intellectual property]] protection.  This area of law developed for print media, long before copying machines and digital media, and has not necessarily kept pace with technology.
=== Legal Background ===
The [[Copyright|copyright]] since its formal creation in 1710 by the British [[Statute of Anne]] and its inclusion in the [[U.S. Constitution]]<ref name=Bennett>Bennett, S. (1999) 'Authors' Rights', Journal of Electronic Publishing, vol. 5, no. 2, Dec., 1999</ref> has been the main protection scheme for intellectual property rights for creative information goods and services.
 
Article I, Section 8, Clause 8 of the [[U.S. Constitution]]:
''"To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries."''
 
[[Copyright]] law grants exclusive legal ownership of information under specific conditions and terms. Through two major revisions of U.S. copyright law in 1909 and 1976,<ref name=CopyAct1976>{{citation
| title = Copyright Act (17 U.S.C.) Index
| url =  http://www.bitlaw.com/source/17usc/
| first = Daniel A. | last = Tysver }}</ref>
the range of content and media forms covered by legislation were expanded.
 
During the pre-digital era, large-scale copying was expensive and usually resulted in degraded content. The development of electronic and digital media transformed the production and distribution of information goods and services. In digital form, the content could be copied perfectly or easily converted to another form or format, and thus lifted the physical constraints of copying.  The rise of digital media and networks made sharing and copying not only easier for traditional information "pirates", but also made it easier for individuals.  Unlike the "pirates" whose unauthorized copies were for commercial gain, individual copying stems from behavioral norms from traditions of [[fair use]] and first-sale rights.
 
''[[Digital rights management|.... (read more)]]''
 
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Latest revision as of 10:19, 11 September 2020

1901 photograph of a stentor (announcer) at the Budapest Telefon Hirmondó.

Telephone newspaper is a general term for the telephone-based news and entertainment services which were introduced beginning in the 1890s, and primarily located in large European cities. These systems were the first example of electronic broadcasting, and offered a wide variety of programming, however, only a relative few were ever established. Although these systems predated the invention of radio, they were supplanted by radio broadcasting stations beginning in the 1920s, primarily because radio signals were able to cover much wider areas with higher quality audio.

History

After the electric telephone was introduced in the mid-1870s, it was mainly used for personal communication. But the idea of distributing entertainment and news appeared soon thereafter, and many early demonstrations included the transmission of musical concerts. In one particularly advanced example, Clément Ader, at the 1881 Paris Electrical Exhibition, prepared a listening room where participants could hear, in stereo, performances from the Paris Grand Opera. Also, in 1888, Edward Bellamy's influential novel Looking Backward: 2000-1887 foresaw the establishment of entertainment transmitted by telephone lines to individual homes.

The scattered demonstrations were eventually followed by the establishment of more organized services, which were generally called Telephone Newspapers, although all of these systems also included entertainment programming. However, the technical capabilities of the time meant that there were limited means for amplifying and transmitting telephone signals over long distances, so listeners had to wear headphones to receive the programs, and service areas were generally limited to a single city. While some of the systems, including the Telefon Hirmondó, built their own one-way transmission lines, others, including the Electrophone, used standard commercial telephone lines, which allowed subscribers to talk to operators in order to select programming. The Telephone Newspapers drew upon a mixture of outside sources for their programs, including local live theaters and church services, whose programs were picked up by special telephone lines, and then retransmitted to the subscribers. Other programs were transmitted directly from the system's own studios. In later years, retransmitted radio programs were added.

During this era telephones were expensive luxury items, so the subscribers tended to be the wealthy elite of society. Financing was normally done by charging fees, including monthly subscriptions for home users, and, in locations such as hotel lobbies, through the use of coin-operated receivers, which provided short periods of listening for a set payment. Some systems also accepted paid advertising.

Footnotes