Origin of music > Bibliography

From Citizendium, the Citizens' Compendium

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• Fitch, W. T. (2008), "Glossogeny and phylogeny: cultural evolution meets genetic evolution", Trends in Genetics 24 (8): 373–374, DOI:10.1016/j.tig.2008.05.003
• McDermott, J. (2008). "The evolution of music". Nature 453 (7193): 287-288. DOI:10.1038/453287a.

• Jarvis, E.D. (2007). Neural systems for vocal learning in birds and humans: a synopsis. Journal of Ornithology 148: 35-44. DOI:10.1007/s10336-007-0243-0.

• Fitch, W.T. (2006). "The biology and evolution of music: A comparative perspective". Cognition 100 (1): 173-215. DOI:10.1016/j.cognition.2005.11.009.

• Jarvis, E.D. (2006). "Selection for and against vocal learning in birds and mammals". Ornithological Science 5 (1): 5-14. DOI:10.2326/osj.5.5.

• Bachner-Melman, R.; C. Dina & A.H. Zohar et al. (2005), "AVPR1a and SLC6A4 Gene Polymorphisms Are Associated with Creative Dance Performance", PLoS Genet 1 (3): e42, DOI:10.1371/journal.pgen.0010042 ^[e]
• Hauser, M.D.; McDermott, J. (2003). "The evolution of the music faculty: a comparative perspective". Nat Neurosci 6 (7): 663-8. DOI:10.1038/nn1080.

• Nils L. Wallin, Björn Merker, and Steven Brown (Editors) (2000). The Origins of Music. Cambridge, MA: MIT Press. ISBN 0-262-23206-5. 

• Janik, V.M.; Slater, P.J.B. (2000). "The different roles of social learning in vocal communication". Animal Behaviour 60 (1): 1-11. DOI:10.1006/anbe.2000.1410.

• Fitch, W.T. (2000). "The evolution of speech: a comparative review". Trends in Cognitive Sciences 4 (7): 258-267. DOI:10.1016/S1364-6613(00)01494-7.

• Janik, V.M.; Slater, P.J.B. (1997). "Vocal learning in mammals". Advances in the Study of Behavior 26: 59-99.

• Hewes, G.W. (1973). "Primate Communication and the Gestural Origin of Language". Current Anthropology 14 (1/2): 5. DOI:10.1086/201401.

• Nottebohm, F. (1972). "The Origins of Vocal Learning". The American Naturalist 106 (947): 116. DOI:10.1086/282756.

• Koehler, O. (1951). "Der Vogelgesang als Vorstufe von Musik und Sprache". Journal of Ornithology 93 (1): 3-20. DOI:10.1007/BF02007606.

• Streffer, W. (2003). Magie der Vogelstimmen. Stuttgart: Verlag Freies Geistesleben. ISBN 3-772-52240-8. 

• Stresemann, E. (1947). Baron von Pernau, pioneer student of bird behavior. Auk 64: 35-52.

• Stresemann, E. (1925). "Beiträge zu einer Geschichte der deutschen Vogelkunde". Journal of Ornithology 73 (4): 594-628. DOI:10.1007/BF01906224.

• MacDowell, E. (1912). Critical and Historical Essays, ed. by WJ Baltzell. Boston/New York: Stanhope Press. 

• Spencer, H. (1891). On the origin of music. Mind 16 (64): 535-537.

• Clark, X. (1879). "Animal Music, its Nature and Origin". American Naturalist 13 (4): 209. DOI:10.1086/272315.

• Darwin, C. (1871). The descent of man, and sexual selection in relation to sex. London: Murray. 

• Spencer, H. (1857). "The origin and function of music". Fraser’s Magazine 56: 396-408.

• Gardiner, W. (1832). The Music of Nature; or, An Attempt to Prove what is Passionate and Pleasing in the Art of Singing, Speaking, and Performing upon musical instruments, is derived from the Sounds of The Animated World. With Curious Illustrations. London: Longman, Rees et al. / Leicester: T. Combe and Son; and A. Cockshaw.