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Difference between revisions of "Cent (music)"

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The '''cent''' is a logarithmic measure of a musical interval introduced by Alexander Ellis. A cent is the logarithmic division of the equitempered semitone into 100 equal parts. It is therefore the 1200th root of 2, a ratio approximately equal to (1:1.0005777895).
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The '''cent''' is a logarithmic measure of a musical interval introduced by Alexander Ellis. A cent is the logarithmic division of the equitempered semitone into 100 equal parts. In terms of a formula, the separation or interval between two frequencies ƒ<sub>1</sub> and ƒ<sub>2</sub> in ''cents'' is determined as:
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:<math> c = 1200 \log _2 \left( \frac {f_1}{f_2} \right) \ . </math>
  
When two notes are played together, a difference of 2 cents is noticeable, and a difference of 5 cents is heard as out of tune.<ref name=tune/>
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Consequently, two frequencies ƒ<sub>1</sub> and ƒ<sub>2</sub> separated by an interval of 1 cent are in the ratio:
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:<math>\frac{f_1}{f_2}=2^{1/1200} \approx 1.005777895 \ , </math>
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that is, by a ratio given by the 1200th root of 2.
  
 
The ''cent'' appears in an article Alexander Ellis published in 1885<ref name=tune/> and also in the appendix he added to his translation of [[Herman von Helmholtz]]'s ''On the Sensation of Tone As a Physiological Basis for the Theory of Music'',<ref name=Ellis/> also published as ''Die Lehre von den Tonempfindungen'', translated as ''On the sensations of tone''.<ref name=sensations/>
 
The ''cent'' appears in an article Alexander Ellis published in 1885<ref name=tune/> and also in the appendix he added to his translation of [[Herman von Helmholtz]]'s ''On the Sensation of Tone As a Physiological Basis for the Theory of Music'',<ref name=Ellis/> also published as ''Die Lehre von den Tonempfindungen'', translated as ''On the sensations of tone''.<ref name=sensations/>
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When two notes are played together, a difference of 2 cents is noticeable, and a difference of 5 cents is heard as out of tune.<ref name=tune/> According to Ellis, when two notes are played together, a difference of 2 cents is noticeable, and a difference of 5 cents is heard as out of tune.<ref name=tune/> However, more recent estimates suggest errors of 5-15 cents in pitch estimates are common, with errors of 20-50 cents above ''A''7 (the 7th octave, 3 octaves above the octave containing middle ''C''). This error was traced to the response of auditory nerves in the ear, which exhibit a systematic error.<ref name=Ohgushi/>
  
 
==References==
 
==References==

Revision as of 17:42, 13 July 2012

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The cent is a logarithmic measure of a musical interval introduced by Alexander Ellis. A cent is the logarithmic division of the equitempered semitone into 100 equal parts. In terms of a formula, the separation or interval between two frequencies ƒ1 and ƒ2 in cents is determined as:

Consequently, two frequencies ƒ1 and ƒ2 separated by an interval of 1 cent are in the ratio:

that is, by a ratio given by the 1200th root of 2.

The cent appears in an article Alexander Ellis published in 1885[1] and also in the appendix he added to his translation of Herman von Helmholtz's On the Sensation of Tone As a Physiological Basis for the Theory of Music,[2] also published as Die Lehre von den Tonempfindungen, translated as On the sensations of tone.[3]

When two notes are played together, a difference of 2 cents is noticeable, and a difference of 5 cents is heard as out of tune.[1] According to Ellis, when two notes are played together, a difference of 2 cents is noticeable, and a difference of 5 cents is heard as out of tune.[1] However, more recent estimates suggest errors of 5-15 cents in pitch estimates are common, with errors of 20-50 cents above A7 (the 7th octave, 3 octaves above the octave containing middle C). This error was traced to the response of auditory nerves in the ear, which exhibit a systematic error.[4]

References

  1. 1.0 1.1 1.2 Alexander J Ellis (March 25, 1885). "On the musical scales of various nations; §III.–Cents". Journal of the Society of Arts 33: p. 487.
  2. Herman von Helmholtz (1912). “Footnote, p. 41 and Appendix XX, Section C”, On the Sensation of Tone As a Physiological Basis for the Theory of Music, Alexander Ellis translation of 4th German ed. Longmans, Green. 
  3. Herman von Helmholtz (1954). On the sensations of tone, Reprint of 1885 translation by Alexander Ellis. Courier Dover Publications. ISBN 0486607534. 
  4. Cite error: Invalid <ref> tag; no text was provided for refs named Ohgushi