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Natural Sciences     Social Sciences     Humanities     Arts     Applied Arts and Sciences     Recreation      Click on first button above for full list of workgroups An encyclopedia project—and more! Welcome to Citizendium, an endeavor to achieve the highest standards of writing, reliability, and comprehensiveness through a unique collaboration between Authors and Editors. We welcome people from all walks of life who want to share their knowledge and expertise freely by writing well-researched and authoritative articles. Please read through our easy registration procedures, then join us. We have 17,709 articles at different stages of development, of which 0 are expert-approved. Eduzendium students in higher education write here as part of their courses. We welcome everyone who has knowledge, broad or narrow, about any subject. Our community is collegial and congenial; everyone writes under his or her real name. Even this, our home page, can be edited by any Citizen. Sign up—we need both Authors and Editors. Get started: How to collaborate | CZ:Quick Start We have a Charter to provide a framework for governing Citizendium. See our own Citizendium article for our history Why Citizendium? | Myths and Facts | Why we contribute to CZ Follow us on Friendfeed, Twitter (general news; newly-edited pages), Facebook or Google+ Join us Join up here and start a new article or improve existing ones. See Recent Changes—an overview of articles we are writing now. Wikipedians are very welcome! Comment on articles nominated for approval. You can discuss any article on its Talk page. From HERE, you can get started, get technical help, see our policies, and explore our articles and organization. Our help system (still under development) We Need Support From Donations! Please help! We have a continuing need for funds to pay for hosting our servers. See our CZ:Financial report for complete details. Please make your donations here. See also our sister project, WatchKnow, a free, non-profit, K-12 educational video website.

Some of our finest Approved Articles (0) Developed Articles (1,149) (17,709 total articles) Knowledge is a process of piling up facts; wisdom lies in their simplification. — Martin H. Fischer        —add a quotation about knowledge or writing •Did You Know? Featured Article about Inside of the round Carousel Theater, University of Tennessee, Knoxville. This fully-round theater, built in 1952, is well suited to intimate productions. Theater in the round refers to theatrical performance space in which the audience sits on most or all sides of the stage (as opposed to the customary proscenium stage in which the performers face the audience, or the thrust stage where the audience sits on three sides). Theaters in the round were common in ancient times, and although it never fell completely into disuse, the modern theater as it developed in Europe and America, generally favoured the proscenium theatre, which allows for grander productions. When the theater in the round format was revived in the mid-twentieth century, it was considered avant garde and progressive. One advantage of theatres in the round is that they can dramatically reduce the need for lavish or complicated sets, in terms of curtains and scenery. A disadvantage is the extra staging considerations. Rather than the actors being able to focus to one direction, the director and set designer have to consider what the production will look like from different points of view, and how to eliminate or at least reduce the problem of characters having their backs to the audience. The Stephen Joseph Theatre in Scarborough, North Yorkshire was the UK's first theatre in the round. Alienation effect vs. Stanislovski technique Theater in the round is a particularly appropriate setting for staging of dramas using Bertolt Brecht's alienation effect, which stands in opposition to the more traditional Stanislovski technique in drama. Whereas the Constantin Stanislavski school of acting attempts to immerse the audience so deeply in belief of its characters that they can imagine themselves as the character, the Brechtian alienation effect deliverately tries to remind the audience that this is a fictional representation. Alienation techniques include tactics as obvious as displaying placards or posters around the set. With theater in the round, merely keeping the audience lit so that each audience member is constantly aware of the rest of the audience can act as an alienation technique. Notes Footnotes