https://citizendium.org/api.php?hidebots=1&days=3&limit=50&target=Category%3ALiterature_tag&action=feedrecentchanges&feedformat=atomCitizendium - Changes related to "Category:Literature tag" [en]2024-03-28T16:50:43ZRelated changesMediaWiki 1.39.5https://citizendium.org/wiki/index.php?title=Victoria_Chang&diff=946433&oldid=946431Victoria Chang2024-03-27T18:14:15Z<p>removing redlink, since there is a reference to a definition</p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Image|Victoria Chang by Pat Cray.jpg|right|350px|Victoria Chang in 2022. Photo made by Pat Cray.}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Image|Victoria Chang by Pat Cray.jpg|right|350px|Victoria Chang in 2022. Photo made by Pat Cray.}}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Victoria Chang''' (born 1970) is an [[United States of America|American]] poet, writer, and editor. She experiments with different styles of writing, including writing obituaries for parts of her life, including her parents and herself, in ''Obit'', letters in ''Dear Memory: Letters on Writing, Silence, and Grief'', and a Japanese form known as <del style="font-weight: bold; text-decoration: none;">[[</del>waka<del style="font-weight: bold; text-decoration: none;">]]</del><ref name=waka /> in ''The Trees Witness Everything''. In all of her poems and books, Chang has several common themes: living as an Asian-American woman, depression, and dealing with loss and grief. She has also written two books for children</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Victoria Chang''' (born 1970) is an [[United States of America|American]] poet, writer, and editor. She experiments with different styles of writing, including writing obituaries for parts of her life, including her parents and herself, in ''Obit'', letters in ''Dear Memory: Letters on Writing, Silence, and Grief'', and a Japanese form known as waka<ref name=waka /> in ''The Trees Witness Everything''. In all of her poems and books, Chang has several common themes: living as an Asian-American woman, depression, and dealing with loss and grief. She has also written two books for children</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Chang's grandparents migrated from China to Taiwan, and her parents later moved from Taiwan to Michigan, where Chang grew up<ref name=newyorker />. Chang explores her emotions on not knowing the lives of her parents in ''Dear Memory:Letters on Writing, Silence, and Grief''.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Chang's grandparents migrated from China to Taiwan, and her parents later moved from Taiwan to Michigan, where Chang grew up<ref name=newyorker />. Chang explores her emotions on not knowing the lives of her parents in ''Dear Memory:Letters on Writing, Silence, and Grief''.</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>An example of Chang's obituary-style poems can be read on the Poetry Magazine website.<ref name=Ex1 /></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>An example of Chang's obituary-style poems can be read on the Poetry Magazine website.<ref name=Ex1 /></div></td></tr>
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</table>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Victoria_Chang/Definition&diff=946432&oldid=0Victoria Chang/Definition2024-03-27T18:13:29Z<p>Created page with "<noinclude>{{subpages}}</noinclude> (1970-?) An American poet known especially for writing obituaries for different aspects of her life."</p>
<p><b>New page</b></p><div><noinclude>{{subpages}}</noinclude><br />
(1970-?) An American poet known especially for writing obituaries for different aspects of her life.</div>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Victoria_Chang&diff=946431&oldid=915475Victoria Chang2024-03-27T18:03:58Z<p>adding an image</p>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{Image|Victoria Chang by Pat Cray.jpg|right|350px|Victoria Chang in 2022. Photo made by Pat Cray.}}</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Victoria Chang''' (born 1970) is an [[United States of America|American]] poet, writer, and editor. She experiments with different styles of writing, including writing obituaries for parts of her life, including her parents and herself, in ''Obit'', letters in ''Dear Memory: Letters on Writing, Silence, and Grief'', and a Japanese form known as [[waka]]<ref name=waka /> in ''The Trees Witness Everything''. In all of her poems and books, Chang has several common themes: living as an Asian-American woman, depression, and dealing with loss and grief. She has also written two books for children</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Victoria Chang''' (born 1970) is an [[United States of America|American]] poet, writer, and editor. She experiments with different styles of writing, including writing obituaries for parts of her life, including her parents and herself, in ''Obit'', letters in ''Dear Memory: Letters on Writing, Silence, and Grief'', and a Japanese form known as [[waka]]<ref name=waka /> in ''The Trees Witness Everything''. In all of her poems and books, Chang has several common themes: living as an Asian-American woman, depression, and dealing with loss and grief. She has also written two books for children</div></td></tr>
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</table>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Anarchy,_State_and_Utopia&diff=946305&oldid=915072Anarchy, State and Utopia2024-03-27T08:06:03Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Anarchy, State and Utopia''' is a [[political philosophy]] book by [[Robert Nozick]] which advocates [[minarchism|minarchist]] [[libertarianism]] by appeal to a [[social contract]]. It is also a criticism of [[John Rawls]]' ''[[A Theory of Justice]]''.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Anarchy, State and Utopia''' is a [[political philosophy]] book by [[Robert Nozick]] which advocates [[minarchism|minarchist]] [[libertarianism]] by appeal to a [[social contract]]. It is also a criticism of [[John Rawls]]' ''[[A Theory of Justice]]''.</div></td></tr>
</table>John Leachhttps://citizendium.org/wiki/index.php?title=Gilad_Atzmon&diff=946056&oldid=21493Gilad Atzmon2024-03-27T06:26:03Z<p>improve</p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Atzmon confronted the ongoing attacks on him in an article entitled "Think Tribal, Speak Universal" [http://www.gilad.co.uk/html%20files/tribaluniversal.htm]: "I have managed to unite them all: Right, Left and Centre....They all repeat exactly the same misquotes. They all hate Gilad Atzmon.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Atzmon confronted the ongoing attacks on him in an article entitled "Think Tribal, Speak Universal" [http://www.gilad.co.uk/html%20files/tribaluniversal.htm]: "I have managed to unite them all: Right, Left and Centre....They all repeat exactly the same misquotes. They all hate Gilad Atzmon.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>...When it comes down to it, I’m not the canonical enemy; I am a jazz musician and author. I am not a politician, nor am I a member of any party. I do not present or support any political agenda. I have never been involved in any act of violence (not even as an Israeli soldier) nor have I ever called for violence. I am what some may call an “independent critical thinker”. It is my personal understanding that I choose to share with my readers and listeners. I express my very own reading into events and some speculations regarding the notion of identity. I write about things that I find while looking into myself. This is indeed very dangerous for people who try to promote some collective dogmatic and ethnic tribalism. It is apparently the individual and critical thinker who endangers any form of ideological dogmatism (in general) and Jewish collectivism (in particular).<del style="font-weight: bold; text-decoration: none;">"</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>...When it comes down to it, I’m not the canonical enemy; I am a jazz musician and author. I am not a politician, nor am I a member of any party. I do not present or support any political agenda. I have never been involved in any act of violence (not even as an Israeli soldier) nor have I ever called for violence. I am what some may call an “independent critical thinker”. It is my personal understanding that I choose to share with my readers and listeners. I express my very own reading into events and some speculations regarding the notion of identity. I write about things that I find while looking into myself. This is indeed very dangerous for people who try to promote some collective dogmatic and ethnic tribalism. It is apparently the individual and critical thinker who endangers any form of ideological dogmatism (in general) and Jewish collectivism (in particular)<ins style="font-weight: bold; text-decoration: none;">"</ins>.</div></td></tr>
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</table>John Leachhttps://citizendium.org/wiki/index.php?title=Talk:African_American_literature&diff=945907&oldid=8780Talk:African American literature2024-03-26T13:06:04Z<p><span dir="auto"><span class="autocomment">Deleted section:Balkanization</span></span></p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Despite these views, some <del style="font-weight: bold; text-decoration: none;">[[Conservatism|</del>conservative<del style="font-weight: bold; text-decoration: none;">]] </del>academics and intellectuals argue that African American literature only exists as part of a [[balkanization]] of literature over the last few decades or as an extension of the [[culture wars]] into the field of literature.<ref>Theodore Dalrymple, "[http://www.newcriterion.com/archive/23/may05/dalrymple.htm An imaginary 'scandal']," ''The New Criterion'' 23, no. 9 (May 2005); Richard H. Brodhead, "[http://www.yale.edu/ynhti/pubs/A20/brodhead2.html On the Debate Over Multiculturalism]," ''On Common Ground '', no. 7 (Fall 1996), (accessed July 6, 2005).</ref> According to these critics, literature is splitting into distinct and separate groupings because of the rise of [[identity politics]] in the United States and other parts of the world. These critics reject bringing identity politics into literature because this would mean that "only women could write about women for women, and only Blacks about Blacks for Blacks."<ref>Dalrymple, "[http://www.newcriterion.com/archive/23/may05/dalrymple.htm imaginary 'scandal']." (accessed July 6, 2005).</ref></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Despite these views, some conservative academics and intellectuals argue that African American literature only exists as part of a [[balkanization]] of literature over the last few decades or as an extension of the [[culture wars]] into the field of literature.<ref>Theodore Dalrymple, "[http://www.newcriterion.com/archive/23/may05/dalrymple.htm An imaginary 'scandal']," ''The New Criterion'' 23, no. 9 (May 2005); Richard H. Brodhead, "[http://www.yale.edu/ynhti/pubs/A20/brodhead2.html On the Debate Over Multiculturalism]," ''On Common Ground '', no. 7 (Fall 1996), (accessed July 6, 2005).</ref> According to these critics, literature is splitting into distinct and separate groupings because of the rise of [[identity politics]] in the United States and other parts of the world. These critics reject bringing identity politics into literature because this would mean that "only women could write about women for women, and only Blacks about Blacks for Blacks."<ref>Dalrymple, "[http://www.newcriterion.com/archive/23/may05/dalrymple.htm imaginary 'scandal']." (accessed July 6, 2005).</ref></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>People opposed to this group-based approach to writing say that it limits the ability of literature to explore the overall human condition and, more importantly, judges ethnic writers merely on the basis of their race. These critics reject this judgment and say it defies the meaning of works like Ralph Ellison's ''Invisible Man'', in which Ellison's main character is invisible because people see him as nothing more than a Black man.<ref>Paul Greenberg, "[http://www.townhall.com/columnists/paulgreenberg/pg20050615.shtml I hate that (The rise of identity journalism)]," townhall.com, June 15, 2005 (accessed July 6, 2005).</ref> Others criticize special treatment of any ethnic-based genre of literature. For example, [[Robert Hayden]], the first African-American [[Poet Laureate Consultant in Poetry to the Library of Congress]], once said (paraphrasing the comment by the black composer [[Duke Ellington]] about jazz and music), "There is no such thing as Black literature. There's good literature and bad. And that's all."<ref>[http://www.eiu.edu/~eng1002/authors/hayden/haydenbio.html Biography of Robert Hayden] (accessed August 25, 2005).</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>People opposed to this group-based approach to writing say that it limits the ability of literature to explore the overall human condition and, more importantly, judges ethnic writers merely on the basis of their race. These critics reject this judgment and say it defies the meaning of works like Ralph Ellison's ''Invisible Man'', in which Ellison's main character is invisible because people see him as nothing more than a Black man.<ref>Paul Greenberg, "[http://www.townhall.com/columnists/paulgreenberg/pg20050615.shtml I hate that (The rise of identity journalism)]," townhall.com, June 15, 2005 (accessed July 6, 2005).</ref> Others criticize special treatment of any ethnic-based genre of literature. For example, [[Robert Hayden]], the first African-American [[Poet Laureate Consultant in Poetry to the Library of Congress]], once said (paraphrasing the comment by the black composer [[Duke Ellington]] about jazz and music), "There is no such thing as Black literature. There's good literature and bad. And that's all."<ref>[http://www.eiu.edu/~eng1002/authors/hayden/haydenbio.html Biography of Robert Hayden] (accessed August 25, 2005).</ref></div></td></tr>
</table>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Bonny_Hicks&diff=945879&oldid=945877Bonny Hicks2024-03-26T12:29:38Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Introspection===</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Introspection===</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>During Hicks' heyday, few had begun to adequately situate her life and works within the larger societal changes that had enveloped Singapore at the time under forces of rapid [[globalisation]]—changes that, by then, were simply far to advanced and powerful to altogether stop the clock upon by the traditionally successful means of shaming and ostracising. For the most part, <del style="font-weight: bold; text-decoration: none;">[[Conservatism|</del>traditionalists<del style="font-weight: bold; text-decoration: none;">]] </del>simply reacted from gut-level [[fear]] against Hicks, or a simplified characterisation or [[straw man]] of her, whom they perceived as a "notorious" moral threat willing to degrade Singaporean society for personal fame and financial gain. Even though the criticisms were not entirely fair—they certainly contained at least a kernel of truth—their accumulation had long been taking a toll upon Hicks' perseverance, eroding away at even her senses of identity, purpose, and wholeness, and thus her basic senses of faith, hope, and peace about the future. While she yet continued to milk opportunities for self-promotion, as Pat Chan had early on taught her to do, it was becoming clearer and clearer that Hicks had for some time been deep within a season of personal introspection, and had been laying plans for a significant life and career transition that appeared to be informed by the values of Singaporean traditionalists. Whilst she was perhaps conceding a victory to her traditionalist critics amid her life transition, her life change was caused at least as much by her own personal maturing away from the years and seemingly unrestrained values of her youth, although there was certainly an interplay of both external and internal forces that prodded her along. Overall, Hicks's self-promotional success efforts had begun to painfully wane, so she took pause and introspectively re-evaluated.<ref name="discussdisgust"/></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>During Hicks' heyday, few had begun to adequately situate her life and works within the larger societal changes that had enveloped Singapore at the time under forces of rapid [[globalisation]]—changes that, by then, were simply far to advanced and powerful to altogether stop the clock upon by the traditionally successful means of shaming and ostracising. For the most part, traditionalists simply reacted from gut-level [[fear]] against Hicks, or a simplified characterisation or [[straw man]] of her, whom they perceived as a "notorious" moral threat willing to degrade Singaporean society for personal fame and financial gain. Even though the criticisms were not entirely fair—they certainly contained at least a kernel of truth—their accumulation had long been taking a toll upon Hicks' perseverance, eroding away at even her senses of identity, purpose, and wholeness, and thus her basic senses of faith, hope, and peace about the future. While she yet continued to milk opportunities for self-promotion, as Pat Chan had early on taught her to do, it was becoming clearer and clearer that Hicks had for some time been deep within a season of personal introspection, and had been laying plans for a significant life and career transition that appeared to be informed by the values of Singaporean traditionalists. Whilst she was perhaps conceding a victory to her traditionalist critics amid her life transition, her life change was caused at least as much by her own personal maturing away from the years and seemingly unrestrained values of her youth, although there was certainly an interplay of both external and internal forces that prodded her along. Overall, Hicks's self-promotional success efforts had begun to painfully wane, so she took pause and introspectively re-evaluated.<ref name="discussdisgust"/></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><ref name="post-col"/> Of this tumultuous period Hicks confessed,</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><ref name="post-col"/> Of this tumultuous period Hicks confessed,</div></td></tr>
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</table>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Template:Bonny_Hicks/Metadata&diff=945878&oldid=934469Template:Bonny Hicks/Metadata2024-03-26T12:28:38Z<p></p>
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</table>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Bonny_Hicks&diff=945877&oldid=7053Bonny Hicks2024-03-26T12:28:07Z<p></p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>{{<del style="font-weight: bold; text-decoration: none;">WPAttribution</del>}}</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>{{<ins style="font-weight: bold; text-decoration: none;">Image|Bonny Hicks.jpg|right|300px|Cover of Bonny Hicks' first book.</ins>}}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Bonny Susan Hicks''' (<del style="font-weight: bold; text-decoration: none;">5 January 1968 – 19 December 1997</del>) was a <del style="font-weight: bold; text-decoration: none;">Singapore-</del>[[<del style="font-weight: bold; text-decoration: none;">Eurasian (</del>mixed ancestry<del style="font-weight: bold; text-decoration: none;">)|Eurasian]] </del>model and writer. After garnering local fame as a model, she gained recognition for her contributions to Singaporean <del style="font-weight: bold; text-decoration: none;">[[</del>post-colonial literature<del style="font-weight: bold; text-decoration: none;">]] </del>and the <del style="font-weight: bold; text-decoration: none;">[[wikt:anthropic|</del>anthropic<del style="font-weight: bold; text-decoration: none;">]] </del>philosophy conveyed in her works. Her first book, ''Excuse Me, Are You A Model?'', is recognised as a significant milestone in the <del style="font-weight: bold; text-decoration: none;">[[Literature of Singapore|</del>literary<del style="font-weight: bold; text-decoration: none;">]] </del>and <del style="font-weight: bold; text-decoration: none;">[[Culture of Singapore|</del>cultural history of Singapore<del style="font-weight: bold; text-decoration: none;">]]</del>.<ref name="journal">{{cite journal| author=Ismail S. Talib| title=Singapore| journal=Journal of Commonwealth Literature| date=September 2000| volume=3| issue=35| page=105| url=http://jcl.sagepub.com/cgi/reprint/35/3/95.pdf| url-access=subscription| access-date=27 December 2006| archive-date=29 May 2009| archive-url=https://web.archive.org/web/20090529234137/http://jcl.sagepub.com/cgi/reprint/35/3/95.pdf| url-status=live}}</ref> Hicks later published a second book, ''Discuss Disgust'', and many shorter pieces in press outlets, including a short-lived opinion column in a major Singaporean daily that was pulled due to public dissent from Singaporean traditionalists.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Bonny Susan Hicks''' (<ins style="font-weight: bold; text-decoration: none;">1968–1997</ins>) was a [[<ins style="font-weight: bold; text-decoration: none;">Singapore]] </ins>mixed<ins style="font-weight: bold; text-decoration: none;">-</ins>ancestry model and writer. After garnering local fame as a model, she gained recognition for her contributions to Singaporean post-colonial literature and the anthropic philosophy conveyed in her works. Her first book, ''Excuse Me, Are You A Model?'', is recognised as a significant milestone in the literary and cultural history of Singapore.<ref name="journal">{{cite journal| author=Ismail S. Talib| title=Singapore| journal=Journal of Commonwealth Literature| date=September 2000| volume=3| issue=35| page=105| url=http://jcl.sagepub.com/cgi/reprint/35/3/95.pdf| url-access=subscription| access-date=27 December 2006| archive-date=29 May 2009| archive-url=https://web.archive.org/web/20090529234137/http://jcl.sagepub.com/cgi/reprint/35/3/95.pdf| url-status=live}}</ref> Hicks later published a second book, ''Discuss Disgust'', and many shorter pieces in press outlets, including a short-lived opinion column in a major Singaporean daily that was pulled due to public dissent from Singaporean traditionalists.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hicks died at age 29 on 19 December 1997 aboard [[SilkAir Flight 185]] when it crashed into the [[Musi River (Indonesia)|Musi River]] on the Indonesian island of [[Sumatra]], and according to the [[National Transportation Safety Board|NTSB]], is believed to be an act of suicide and mass murder by the Singaporean pilot. All 104 passengers aboard the flight died. After Hicks' death, numerous publications including the book ''Heaven Can Wait: Conversations with Bonny Hicks'' by [[Tal Ben-Shahar]] featured her life and thought.<ref name="cnn">{{cite news|title=Divers battle muddy water at Indonesian crash site|accessdate=27 December 2006|publisher=CNN|year=1997|work=World News|url=http://www.cnn.com/WORLD/9712/20/singapore.plane.615pm|archive-date=12 June 2018|archive-url=https://web.archive.org/web/20180612162415/http://www.cnn.com/WORLD/9712/20/singapore.plane.615pm/|url-status=live}}</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hicks died at age 29 on 19 December 1997 aboard [[SilkAir Flight 185]] when it crashed into the [[Musi River (Indonesia)|Musi River]] on the Indonesian island of [[Sumatra]], and according to the [[National Transportation Safety Board|NTSB]], is believed to be an act of suicide and mass murder by the Singaporean pilot. All 104 passengers aboard the flight died. After Hicks' death, numerous publications including the book ''Heaven Can Wait: Conversations with Bonny Hicks'' by [[Tal Ben-Shahar]] featured her life and thought.<ref name="cnn">{{cite news|title=Divers battle muddy water at Indonesian crash site|accessdate=27 December 2006|publisher=CNN|year=1997|work=World News|url=http://www.cnn.com/WORLD/9712/20/singapore.plane.615pm|archive-date=12 June 2018|archive-url=https://web.archive.org/web/20180612162415/http://www.cnn.com/WORLD/9712/20/singapore.plane.615pm/|url-status=live}}</ref></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Although Hicks was deemed controversial by many during her lifetime because of her willingness to openly discuss [[human sexuality]], Singaporean literary scholars today deem her voice as a pivotally important one for interpreting contemporary Singaporean society. Hicks' legacy today is one of an important transitional social figure between old and new Singapore during its period of broad-scale societal changes under the forces of [[globalisation]]. Her death resulted in the loss of a Singaporean national voice that was both growing and important yet internally conflicted. Criticisms by Singaporean traditionalists during her modelling and authoring careers continually vexed Hicks' conscience and helped drive her to re-evaluate her life. Hicks ultimately made a sustained series of traditionalist choices during the latter years of her life.<ref name="ips">{{cite journal| author=Institute of Policy Studies (Singapore)| title=Yearly Publication| journal=Times Academic Press for the Institute of Policy Studies| year=1991}}</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Although Hicks was deemed controversial by many during her lifetime because of her willingness to openly discuss [[human sexuality]], Singaporean literary scholars today deem her voice as a pivotally important one for interpreting contemporary Singaporean society. Hicks' legacy today is one of an important transitional social figure between old and new Singapore during its period of broad-scale societal changes under the forces of [[globalisation]]. Her death resulted in the loss of a Singaporean national voice that was both growing and important yet internally conflicted. Criticisms by Singaporean traditionalists during her modelling and authoring careers continually vexed Hicks' conscience and helped drive her to re-evaluate her life. Hicks ultimately made a sustained series of traditionalist choices during the latter years of her life.<ref name="ips">{{cite journal| author=Institute of Policy Studies (Singapore)| title=Yearly Publication| journal=Times Academic Press for the Institute of Policy Studies| year=1991}}</ref></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{TOC}}</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Early life==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Early life==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hicks was born in 1968 in [[Kuala Lumpur]], Malaysia, to a British father, Ron Hicks, and a [[Cantonese]]-speaking Singaporean-[[Han Chinese|Chinese]] mother, Betty Soh. Her parents separated shortly after her birth and Soh relocated to Singapore in 1969 with her infant daughter. There, Hicks' formative [[social environment]] was multi-ethnic, multi-lingual, and included [[Malays in Singapore|Malays]], [[Indians in Singapore|Indians]], and [[Chinese Singaporean|Chinese]] of various dialect groups.<ref name="tu">{{cite web|title=Celebrating Bonny Hicks' Passion for Life|accessdate = 27 December 2006|publisher=Harvard University|year=1998|author=Tu Wei-Ming|url=http://www.zaobao.com/bilingual/pages/bilingual221298.html|archiveurl=https://web.archive.org/web/20051121022527/http://www.zaobao.com/bilingual/pages/bilingual221298.html|archivedate=21 November 2005}}</ref> Although Hicks was [[biracial]], she identified as Chinese during her early childhood, speaking Cantonese and watching Chinese-language television at home.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Hicks was born in 1968 in [[Kuala Lumpur]], Malaysia, to a British father, Ron Hicks, and a [[Cantonese]]-speaking Singaporean-[[Han Chinese|Chinese]] mother, Betty Soh. Her parents separated shortly after her birth and Soh relocated to Singapore in 1969 with her infant daughter. There, Hicks' formative [[social environment]] was multi-ethnic, multi-lingual, and included [[Malays in Singapore|Malays]], [[Indians in Singapore|Indians]], and [[Chinese Singaporean|Chinese]] of various dialect groups.<ref name="tu">{{cite web|title=Celebrating Bonny Hicks' Passion for Life|accessdate = 27 December 2006|publisher=Harvard University|year=1998|author=Tu Wei-Ming|url=http://www.zaobao.com/bilingual/pages/bilingual221298.html|archiveurl=https://web.archive.org/web/20051121022527/http://www.zaobao.com/bilingual/pages/bilingual221298.html|archivedate=21 November 2005}}</ref> Although Hicks was [[biracial]], she identified as Chinese during her early childhood, speaking Cantonese and watching Chinese-language television at home.</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A memorial in honour of the victims of SilkAir Flight 185 stands beside the Musi River crash site in Indonesia. Another is at [[Choa Chu Kang Cemetery]], Singapore.<ref>{{cite web |url=http://home.pacific.net.sg/~silkair.mi185/speech.htm |archive-url=https://web.archive.org/web/20021008141709/http://home.pacific.net.sg/~silkair.mi185/speech.htm |url-status=dead |archive-date=8 October 2002 |title=Families of SilkAir MI185 Association – Memorial Dedication Ceremony Speech |publisher=Home.pacific.net.sg |accessdate=16 July 2010 }}</ref></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A memorial in honour of the victims of SilkAir Flight 185 stands beside the Musi River crash site in Indonesia. Another is at [[Choa Chu Kang Cemetery]], Singapore.<ref>{{cite web |url=http://home.pacific.net.sg/~silkair.mi185/speech.htm |archive-url=https://web.archive.org/web/20021008141709/http://home.pacific.net.sg/~silkair.mi185/speech.htm |url-status=dead |archive-date=8 October 2002 |title=Families of SilkAir MI185 Association – Memorial Dedication Ceremony Speech |publisher=Home.pacific.net.sg |accessdate=16 July 2010 }}</ref></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>==<del style="font-weight: bold; text-decoration: none;">Bibliography</del>==</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>==<ins style="font-weight: bold; text-decoration: none;">Attribution</ins>==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">* '' 'Excuse Me, are you a Model?' '' (1990, Flame of the Forest) </del>{{<del style="font-weight: bold; text-decoration: none;">ISBN|981-00-2051-1}}</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>{{<ins style="font-weight: bold; text-decoration: none;">WPAttribution</ins>}}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">* 剪一段深深的曾经 : 名模的流金岁月 (1991, Flame of the Forest) {{ISBN|981-00-3121-1}}</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">* ''Discuss Disgust'' (1992, Flame of the Forest) {{ISBN|978-981-00-3506-8</del>}}</div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Footnotes==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Footnotes==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{reflist|2}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{reflist|2}}</div></td></tr>
</table>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Bonny_Hicks/Bibliography&diff=945871&oldid=945870Bonny Hicks/Bibliography2024-03-26T12:16:13Z<p></p>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{subpages}}</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '' 'Excuse Me, are you a Model?' '' (1990, Flame of the Forest) {{ISBN|981-00-2051-1}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* '' 'Excuse Me, are you a Model?' '' (1990, Flame of the Forest) {{ISBN|981-00-2051-1}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 剪一段深深的曾经 : 名模的流金岁月 (1991, Flame of the Forest) {{ISBN|981-00-3121-1}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* 剪一段深深的曾经 : 名模的流金岁月 (1991, Flame of the Forest) {{ISBN|981-00-3121-1}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''Discuss Disgust'' (1992, Flame of the Forest) {{ISBN|978-981-00-3506-8}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* ''Discuss Disgust'' (1992, Flame of the Forest) {{ISBN|978-981-00-3506-8}}</div></td></tr>
</table>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Bonny_Hicks/Bibliography&diff=945870&oldid=0Bonny Hicks/Bibliography2024-03-26T12:15:58Z<p>Created page with "* '' 'Excuse Me, are you a Model?' '' (1990, Flame of the Forest) {{ISBN|981-00-2051-1}} * 剪一段深深的曾经 : 名模的流金岁月 (1991, Flame of the Forest) {{ISBN|981-00-3121-1}} * ''Discuss Disgust'' (1992, Flame of the Forest) {{ISBN|978-981-00-3506-8}}"</p>
<p><b>New page</b></p><div>* '' 'Excuse Me, are you a Model?' '' (1990, Flame of the Forest) {{ISBN|981-00-2051-1}}<br />
* 剪一段深深的曾经 : 名模的流金岁月 (1991, Flame of the Forest) {{ISBN|981-00-3121-1}}<br />
* ''Discuss Disgust'' (1992, Flame of the Forest) {{ISBN|978-981-00-3506-8}}</div>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Science_fiction/Related_Articles&diff=945817&oldid=916182Science fiction/Related Articles2024-03-26T03:59:04Z<p><span dir="auto"><span class="autocomment">Influential authors</span></span></p>
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</table>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Vernor_Vinge/Definition&diff=945816&oldid=945813Vernor Vinge/Definition2024-03-26T03:55:26Z<p></p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Science-fiction writer. computer scientist and mathematician who won five Hugo Awards, including for the novels ''A Fire Upon the Deep'' (1993) and ''A Deepness in the Sky'' (2000).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">(1944-2024) </ins>Science-fiction writer. computer scientist and mathematician who won five Hugo Awards, including for the novels ''A Fire Upon the Deep'' (1993) and ''A Deepness in the Sky'' (2000).</div></td></tr>
</table>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Vernor_Vinge&diff=945815&oldid=945810Vernor Vinge2024-03-26T03:55:14Z<p></p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{Image|Vernor Vinge (2312352467).jpg|right|300px|Vernor Vinge in 2008.}}</ins></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Vernor Vinge''' (<del style="font-weight: bold; text-decoration: none;">1945</del>-2024) was a science-fiction writer, computer scientist and mathematician. As a sci-fi author, Vinge won [[Hugo Awards]] for the novels ''A Fire Upon the Deep'' (1993), ''A Deepness in the Sky'' (2000), and ''Rainbows End'' (2007). He also won Hugos for novellas "Fast Times at Fairmont High" (2002) and "The Cookie Monster" (2004). </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Vernor Vinge''' (<ins style="font-weight: bold; text-decoration: none;">1944</ins>-2024) was a science-fiction writer, computer scientist and mathematician. As a sci-fi author, Vinge won [[Hugo Awards]] for the novels ''A Fire Upon the Deep'' (1993), ''A Deepness in the Sky'' (2000), and ''Rainbows End'' (2007). He also won Hugos for novellas "Fast Times at Fairmont High" (2002) and "The Cookie Monster" (2004). </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Vinge was also a professor of computer science at San Diego State University from 1972 until 2000. His first short story, Apartness, was published in 1965 by British magazine New Worlds.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Vinge was also a professor of computer science at San Diego State University from 1972 until 2000. His first short story, Apartness, was published in 1965 by British magazine New Worlds.</div></td></tr>
</table>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Vernor_Vinge/Definition&diff=945813&oldid=945805Vernor Vinge/Definition2024-03-26T03:52:18Z<p></p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Science-fiction writer. computer scientist and mathematician who won five Hugo Awards, including for the novels ''A Fire Upon the Deep'' (<del style="font-weight: bold; text-decoration: none;">1992</del>) and ''A Deepness in the Sky'' (<del style="font-weight: bold; text-decoration: none;">1999</del>).</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Science-fiction writer. computer scientist and mathematician who won five Hugo Awards, including for the novels ''A Fire Upon the Deep'' (<ins style="font-weight: bold; text-decoration: none;">1993</ins>) and ''A Deepness in the Sky'' (<ins style="font-weight: bold; text-decoration: none;">2000</ins>).</div></td></tr>
</table>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Talk:Vernor_Vinge&diff=945812&oldid=0Talk:Vernor Vinge2024-03-26T03:51:32Z<p>Created page with "{{subpages}}"</p>
<p><b>New page</b></p><div>{{subpages}}</div>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Template:Vernor_Vinge/Metadata&diff=945811&oldid=945809Template:Vernor Vinge/Metadata2024-03-26T03:51:01Z<p></p>
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</table>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Vernor_Vinge&diff=945810&oldid=945807Vernor Vinge2024-03-26T03:50:22Z<p></p>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Vernor Vinge''' (1945-2024) was a science-fiction writer, computer scientist and mathematician. As a sci-fi author, Vinge won [[Hugo Awards]] for the novels ''A Fire Upon the Deep'' (1993), ''A Deepness in the Sky'' (2000), and ''Rainbows End'' (2007). He also won Hugos for novellas "Fast Times at Fairmont High" (2002) and "The Cookie Monster" (2004). </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Vernor Vinge''' (1945-2024) was a science-fiction writer, computer scientist and mathematician. As a sci-fi author, Vinge won [[Hugo Awards]] for the novels ''A Fire Upon the Deep'' (1993), ''A Deepness in the Sky'' (2000), and ''Rainbows End'' (2007). He also won Hugos for novellas "Fast Times at Fairmont High" (2002) and "The Cookie Monster" (2004). </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Vinge was also a professor of computer science at San Diego State University from 1972 until 2000. His first short story, Apartness, was published in 1965 by British magazine New Worlds.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Vinge was also a professor of computer science at San Diego State University from 1972 until 2000. His first short story, Apartness, was published in 1965 by British magazine New Worlds.</div></td></tr>
</table>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Template:Vernor_Vinge/Metadata&diff=945809&oldid=945808Template:Vernor Vinge/Metadata2024-03-26T03:49:54Z<p></p>
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</table>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Template:Vernor_Vinge/Metadata&diff=945808&oldid=0Template:Vernor Vinge/Metadata2024-03-26T03:49:37Z<p>Created page with "{{#switch: {{{info}}} <!--general article properties--> | pagename = ernor Vinge | variant = AE <!--required for checklist--> | abc = ernor Vinge | cat_check = n <!--yes if someone should check the categories--> | status = 3 <!--1 developed, 2 developing, 3 stub, 4 external--> | underlinked = n <!--yes if orphan--> | cleanup = n <!--yes if basic cleanup has been done--> | by = | cat1 = Literatu..."</p>
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}}<noinclude>{{subpages}}</noinclud</div>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Vernor_Vinge&diff=945807&oldid=945806Vernor Vinge2024-03-26T03:48:16Z<p>beginning</p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 22:48, 25 March 2024</td>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">'''Vernor Vinge''' (1945-2024) was a science-fiction writer, computer scientist and mathematician. As a sci-fi author, Vinge won [[Hugo Awards]] for the novels ''A Fire Upon the Deep'' (1993), ''A Deepness in the Sky'' (2000), and ''Rainbows End'' (2007). He also won Hugos for novellas "Fast Times at Fairmont High" (2002) and "The Cookie Monster" (2004). </ins></div></td></tr>
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</table>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Vernor_Vinge&diff=945806&oldid=0Vernor Vinge2024-03-26T03:40:30Z<p>Created blank page</p>
<p><b>New page</b></p><div></div>Pat Palmerhttps://citizendium.org/wiki/index.php?title=Vernor_Vinge/Definition&diff=945805&oldid=763966Vernor Vinge/Definition2024-03-26T03:40:04Z<p></p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">A </del>computer scientist and mathematician<del style="font-weight: bold; text-decoration: none;">, known as a hard-science science-fiction writer, winner of </del>five Hugo Awards, for the novels<del style="font-weight: bold; text-decoration: none;">, </del>''A Fire Upon the Deep'' (1992)<del style="font-weight: bold; text-decoration: none;">, </del>''A Deepness in the Sky'' (1999)<del style="font-weight: bold; text-decoration: none;">, and ''Rainbow’s End'' (2006), and for two novellas</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Science-fiction writer. </ins>computer scientist and mathematician <ins style="font-weight: bold; text-decoration: none;">who won </ins>five Hugo Awards, <ins style="font-weight: bold; text-decoration: none;">including </ins>for the novels ''A Fire Upon the Deep'' (1992) <ins style="font-weight: bold; text-decoration: none;">and </ins>''A Deepness in the Sky'' (1999).</div></td></tr>
</table>Pat Palmer