The Ecstasy Business

Cover of the first hardback edition, published by The Dial Press in 1967.

The Ecstasy Business, first published by The Dial Press in 1967, was the seventh book by the American satirist and political novelist Richard Condon. Already internationally famous at the time of its publication, primarily because of his 1959 Manchurian Candidate, this book was, somewhat surprisingly given his background, his first Hollywood novel. As a biographical afterword says:

"For twenty-two years, Richard Condon labored as a theatrical producer and movie press agent, presumably to acquire the authentic details that permeate this novel. Among the moguls for whom he beat the drum were Cecile B. De Mille, Sam Goldwyn, Otto Preminger, Frank Sinatra, Sam Spiegel, Darryl Zanuck, Walt Disney, and Howard Hughes."

Told in the third person, it is the broadly comic story of Tynan Bryson, "the greatest film star of his generation", and his torturous relationship with the director Albert McCobb, a blatant caricature of Alfred Hitchcock, and with his tempestutous ex-wife, an Italian film star to whom he has been married three times. Although satiric and sardonic in its depiction of the film business, it is so broadly drawn and implausible in its plotting and manner of telling that it is far more of a burlesque than Condon's previous books. Unlike most "Hollywood novels", in spite of its mockery of the subject, Condon appears to be writing more with affection than bitterness.

Critical reception

The first of two New York Times reviews called it a "fictional amusement park", beginning its review by:

It's a bird! It's a plane! No! It's The Ecstasy Business... by Richard Condon. Faster than a speeding bullet zooms this balled-up potpourri of movie clichés—extended to their limits and beyond by Mr. Condon's fevered imagination.

The back cover of the first edition, with a portrait of Richard Condon.

Time magazine gave the book a quite favorable review:

Hollywood is beyond parody. Almost anything said or written about it, no matter how absurd, somehow, somewhere, some time comes close to the truth. Author Richard Condon... has tried to defy that basic Hollywood tenet by inventing a story so preposterous that it cannot possibly seem real. He has only partly succeeded.

The plot is hallucinogenic, the characters are monstrous, and the style is Beverly Hills baroque. Yet Condon's grotesque farce is often merely the truth as seen in the wobbles of an amusement-park mirror. The book, which drifted past most critics and customers recently without creating much of a stir, is not on a par with the mad master's Manchurian Candidate. But in its own way, it deserves a small place on the shelf that includes Nathanael West and S.J. Perelman.

Condon's hero is Tynan Bryson, a Welsh movie star—an obvious fiction, since there is no such thing as a Welsh movie star. Tyson has had only one failure in his 46 pictures (a Hungarian director persuaded him to portray Thomas Jefferson as Richard Nixon might have played him).... Suspense survives for a time amid the farce, then separates like fragments from a grenade. What Condon fans will enjoy are his extravagant prose arias, including the account of a typical McCobb breakfast. For rhapsodic and inventive list making* it is unequaled by anything since the Glass family's medicine cabinet in Franny and Zooey.... Durham bacon cake, caudle, flummery, ale jelly, Rissered haddie, Huntingdon fidget, Bucks bacon badger, star-gazey pie, slapjack, Bedfordshire clanger, Hindle wakes, bockings, jugged rabbit, Somerset rook pie, bog star, jellied eels, Burlington whimsey, pigs' pettitoes, Kingdom of Fife, limpet stovies, dressmaker tripe, Gooseberry Fool.

Title

The title, as is the case in six of Condon's first seven books, is derived from the last line of a typical bit of Condonian doggerel that supposedly comes from a fictitious Keener's Manual mentioned in many of his earlier novels:

Let us go down to the peep show,

For a taste of life and sex to see,

Let us go down to that place of dreams,

For a peek at the business of ecstasy.

The verse is found in only one place, as an epigraph on a blank page four pages after the title page and two pages before the beginning of the text.