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From Citizendium, the Citizens' Compendium

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• Ball, P. (2008). "Facing the music". Nature 453 (7192): 160-2. DOI:10.1038/453160a.

• Huron, D. (2008). "Lost in music". Nature 453 (7194): 456-7. DOI:10.1038/453456a.

• Haffer, J. (2007). "The development of ornithology in central Europe". Journal of Ornithology 148: 125-153. DOI:10.1007/s10336-007-0160-2.

• Krumhansl, C.L. (2005). "The geometry of musical structure: a brief introduction and history". Computers in Entertainment (CIE) 3 (4): 3-3. DOI:10.1145/1095534.1095542.

• Johnson, J.K.; Graziano, A.B. (2003). "August Knoblauch and amusia: A nineteenth-century cognitive model of music". Brain and Cognition 51 (1): 102-114. DOI:10.1016/S0278-2626(02)00527-4.

• Leman, M.; Schneider, A. (1997). "Origin and nature of cognitive and systematic musicology: An introduction". Music, Gestalt, and computing-studies in cognitive and systematic musicology: 13-29.

• Krumhansl, C.L. (1991). "Music Psychology: Tonal Structures in Perception and Memory". Annual Reviews in Psychology 42 (1): 277-303. DOI:10.1146/annurev.ps.42.020191.001425.

• Thielcke, G. (1988). "Neue Befunde bestätigen Baron Pernaus (1660--1731) Angaben über Lautäusserungen des Buchfinken (Fringilla coelebs)". Journal of Ornithology 129 (1): 55-70. DOI:10.1007/BF01641532.

• Hutchinson, W.; Knopoff, L. (1978). "The acoustic component of western consonance". Journal of New Music Research 7 (1): 1-29. DOI:10.1080/09298217808570246.

• Smith, W.J. (1975). "Research In The Psychology Of Listening To Music". The British Journal of Aesthetics 15 (4): 367-372. DOI:10.1093/bjaesthetics/15.4.367.

• Sachs, C. (1960). "Primitive and Medieval Music: A Parallel". Journal of the American Musicological Society 13 (1-3): 43-49. DOI:10.1525/jams.1960.13.1-3.03a00050.

• Koehler, O. (1951). "Der Vogelgesang als Vorstufe von Musik und Sprache". Journal of Ornithology 93 (1): 3-20. DOI:10.1007/BF02007606.

• Stresemann, E. (1947). "Baron von Pernau, pioneer student of bird behavior". Auk 64: 35-52.

• Sachs, C. (1943). "The Road To Major". The Musical Quarterly (3): 381-404. DOI:10.1093/mq/XXIX.3.381.

• Stresemann, E. (1925). "Beiträge zu einer Geschichte der deutschen Vogelkunde". Journal of Ornithology 73 (4): 594-628. DOI:10.1007/BF01906224.

• MacDowell, E. (1912). Critical and Historical Essays, ed. by WJ Baltzell. Boston/New York: Stanhope Press. 
• Spencer, H. (1891). "On the origin of music". Mind 16 (64): 535-537.

• Cattell, J.M. (1888). "The psychological laboratory at Leipsic". Mind 13 (49): 37-51.

• Clark, X. (1879). "Animal Music, its Nature and Origin". American Naturalist 13 (4): 209. DOI:10.1086/272315.

• Darwin, C. (1871). The descent of man, and sexual selection in relation to sex. London: Murray. 
• Helmholtz, H. (1863). Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik. Braunschweig: Vieweg & Sohn. 
• Spencer, H. (1857). "The origin and function of music". Fraser’s Magazine 56: 396-408.

• Gardiner, W. (1832). The Music of Nature; or, An Attempt to Prove what is Passionate and Pleasing in the Art of Singing, Speaking, and Performing upon musical instruments, is derived from the Sounds of The Animated World. With Curious Illustrations. London: Longman, Rees et al. / Leicester: T. Combe and Son; and A. Cockshaw.